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The sample library aspect is interesting. I have a tendency to just stop listening to an artist if I notice they've used an unaltered sample, preset, or something I recognize from another track. Not entirely rational, I know, but it takes away a lot of "the magic of the art" when you know the production process has been something similar to a session on Dance eJay.
And here I am, dunking my field recorder in a remote lake after wrapping it in a plastic bag, wondering if I can later somehow mangle the underwater recording into nice background noise for a pad. If it wasn't so much fun, it would be depressing.
I wonder how much older music I could drop off of my lists if I knew that the magical sounding plucks came from a sample cd.
This is excluding hip-hop of course.
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