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I think it really depends on whether you approach your DJ'ing performances as an art, or simply to keep people dancing.
"You know, moving two or three discs of plastic so that they go at the same speed is not really that clever. I'm not impressed, you know? Being a DJ is a matter of getting the speed of the plastic the same." -Genesis P-Orridge
I would disagree slightly with that in the sense that you have to be able to keep a crowd interested ie. track selection. But, I think Oakie is making an error in postulating that simply mixing records should be a revered artform.
Zabiela and a few select others who are trying to incorporate a much more artistic approach to mainstream electronic music (ie visuals, real-time edits etc) are the people who will help electronic music (and DJ'ing) progress as a form of expression.
Sure, Oakey exposed lots of people to quality (erm, sometimes) electronic music, but, to be honest, has he radically changed electronic music? No. Will he? No. Why? Because all he is doing is mixing records.
To me, it just sounds like another dinosaur not wanting to admit that his era of peak-time performance and production is coming to an end because of the advent of superior technology.
***Genesis P-Orridge was a post-punk (70's and 80's) electronic music pioneer who, even if we don't know it, advanced electronic music (and I use this term loosely, not just house, or breaks ) way more than any DJ in the 'trance' scene today.***
my 2 cents
-caleb
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