|
| quote: | Originally posted by alanzo
Facts instead of opinions in this matter:
Hardware sounds different from software. Which sounds better, I leave up to you to decide. |
depends. Have a listen here and tell me your thoughts:Synthology.net demo of patches for V-Station
Synthology.net demo of patches for ES2
| quote: |
If you can't make good music with only software, getting $100s in hardware isn't going to make your music any better.
|
true! however, sometimes having "hands-on" could be beneficial for begginer to learn. You don't have as steep of learning curve to overcome. Plug it in and off you go, learning what each thing means. I remember the hard time I had with getting my HD interface to work. With synth - stick in headphones and more buttons you have, the better. for the most part, 1U Rack-based synths should not be in a beginner's arsenal, unless they are willing to put up with growing pain and/or have a great patch editor.
| quote: |
Using hardware saves on CPU - you can either record to .wav files (like rendering a VSTi) or have the sound feed directly in from the hardware unit. Both require almost no processing on your host machine.
|
Surely you're jesting, sire! What about that pesky problem with optimizing your system, ZLM, and what do you make of this whole "latency" dillema? Recording sound, especially several tracks is very CPU intensive (unless you have a very good sound card/interface - a la RME/Motu). Slow system will still be slow and you will have issues.
| quote: |
If you actually buy the software (most don't), software instruments/fx are MUCH cheaper than hardware.
Almost all professional/semi-professional EDM producers of today use hardware synthesizers, software FX, and a software sequencer. There are exceptions to this, but this is generally what proffesionals use. |
yes, but it is changing. even Herbie Hancock is switching! it's just that moving to soft-based is not easy or very intuitive, at times. there's also a learning curve that's much steeper than hardware. and that's a major stopping factor for some musicians. Hernan Cattaneo wrote about making a track or remixing a track on a way to the gig. Made it on the way on his laptop, burned it to CD and played it at his gig. Now, if that's not a way to work - I don't know what is. Imagine setting up your studio on a plane =). (no, and I don't mean that if you have a plane all to yourself).
|