the breaks, synth lines, and melodies within the track are simply superb, you guyz have an incredible mind for this sort of stuff. heaps of exposure and experimentation is needed for this, you guyz know your shit inside out and backwards.

good work with this track man, i wish i could make such astonishing break beats like you guyz.

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Youtube - @ThrillbertmusicYoutube
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My website's been down for years...

FL Studio 9 Producer

Wow, there's some really impressive FX's in this one, IMO. The bassline is a bit muted, but that's just my taste I a clean and picky bass-sound. Cool use of the snare-drum here. 64th note or something, being pitched... Or? Hmmm... while listening to this, I'm getting kinda bored of all this snare-drum thingie, and I miss something to catch my attention. I don't think there's any mainmelody in this actually, only lead-melodies and such. But again, that's just my opinion. I like to listen to tracks that sticks to my brain. Like a rememberable melody or something.

Still, a very solid track!

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Very nice sounds - sounds very professional. I missed a melody though - I've just finished listening and I cant remember it. The breaks are cool - but after a while those snare rolls and rips did get on my tits...maybe feature them less as it makes it harder to listen to. Otherwise great song..

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Signature Suspended as it was deemed offensive

like the track, didn't like the breakdown/breakbeatz. starts off fine, but goes on a bit long. by 2:23 i'd change it to something else, but that's just me. you twisted the sub lead at one point it almost sounds like a vocal sample (1:05-1:09 you can hear it more distinctly.. 1:19 you can barely hear it, again 1:33), i'd go back and work with that a bit more. sounded really cool but it's so little.

some of the stuff done during the break is great though mate.

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slyxster | johnson & corbett | deepwav3 |
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quote:

Originally posted by EliPsE THis TTR label seems like they sign everything that gets sent to them.

I dunno where to begin... seems like tyler took care of most of it though.

quote:

Originally posted by alexpea I don't think there's any mainmelody in this actually, only lead-melodies and such. But again, that's just my opinion. I like to listen to tracks that sticks to my brain. Like a rememberable melody or something.

Yea, we know exactly what you mean... honestly, I wouldn't expect you to remember the melody in this track because you're right, there is NO main melody. We tried making this track memorable in other aspects such as structure, fx, and the whole breakbeat section. it was experimental, so based on this thread i think we were semi-successful
and semi-not...

quote:

Originally posted by DjCommisad you twisted the sub lead at one point it almost sounds like a vocal sample (1:05-1:09 you can hear it more distinctly.. 1:19 you can barely hear it, again 1:33), i'd go back and work with that a bit more. sounded really cool but it's so little.

that's two different layers, man. one bass (plus a low pad) and some chopped vox. indeed teh breaks are long, it was a tough decision on whether to keep them this long.

thanks for comments

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Oops i produce dubstep now.

NumberNin6 / Ethereal / Orana Project / Greenlight

love the breaks, nishant

great production

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//Aneym.com Staff

amazing tracks guys... its very unique and refreshing, im really loving your stuff..!

keep it up

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www.djstama.com

promo mixes available!

wicked stuff...will wait for release!

edit: just saw it on audiojelly. haha...my bad.

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Last edited by b i n k u n on Sep-04-2005 at 11:57

woweeee.... what a tune! really love this man. never fail to whip up a top tune congrats! keep us posted.
big ups from australia

just a shameless bump to say that it entered the audiojelly charts at #7!



thanks for all the support!

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tylerhampton.com | tyler hampton myspace

gigs:
10.30 epic w/tiesto
11.24 spin w/david guetta
12.4 envy

It might not have a melody but it's a track that IMHO is hard to forget...I think Orana and I might not remember everything, but my brain still knows that it's a great track and wants to listen to it again.