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SYSTEM-J
IDKFA.

Registered: Sep 2003
Location: Manchester
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Oct-18-2005 16:08
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Sykonee
Supreme EMCritic

Registered: Dec 2004
Location: Vancouver, Canada
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Too often the vocals seem inconsiquential because the Super Mega Melody at the peak of every buid-up (and, yes, most vocal trance/nu-euro uses this) is so much bigger and boisterous than the singer. Poor girl gets drowned out and plays second fiddle to the Super Mega Melody, of which the track seems to be mostly built around. If that's the case, why not just eliminate the extra fluff (the singer) to make tighter songs?
Euro from the 90's was better suited for sing-a-long lyrics, as the singers/rappers were never outshined by the main leads. Quite often, the main leads are complementary to the chorus. Vocal trance/nu-euro doesn't do this, though, as it's borrowing its template from anthem trance, where the Super Mega Melody is the main focus, and everything else is just extra padding for DJs to competently mix in and out of tracks. Unfortunately, vocal trance/nu-euro tends to get this idea that, somehow, the singer is just as important as the main lead, even though the musical production tends to indicate they aren't (Super Mega Melody being more promenant than the singer), leading to an insufferable pretentiousness in most of those songs. What could be fun is killed by how serious the singers take themselves.
Tiesto seemed to understand this when he did his remix of Silence, as he pretty much let McLachlan's voice do most of the carrying in the song, and provided a peak melody that complemented Sarah rather than rendering her inconsiquential. That is why that remix has stood the test of time so well, and continues to remain an all time favorite for many; the balance was perfect. However, despite so many attempts to replicate that flash in the pan (including by him), very rarely has anyone seemed to nail it down again (though I've noticed Gabriel & Dresden do more often than not), most of the time producers substitute substance with theatrics. The Super Mega Melody has gotten bigger and louder, amounting to nothing much when you sit back and realize all that time leading up to the main attraction in these songs was wasted on some lyrics about loving an old lover, loving a new lover, loving an old and a new lover, loving a dead lover, loving an inaminate lover, loving the love of love, loving one's self, loving forbidden love, loving the feeling of drugs you love, loving the search for love, loving the act of love, or deconstructing the pros and cons of an independent Kurd nation (last one not confirmed).
___________________
Everyone has an opinion. Mine just happens to be a little more informed than most.
Electronic Music Critic: Near-Daily Ruminations Of Music I Own, In Alphabetical Order!
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Oct-18-2005 16:31
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GuyintheTV
Junior tranceaddict
Registered: Aug 2005
Location: Everett, WA
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Satellite is a badass song. Vocals are good sometimes, bad othertimes. I like 4 Strings, I don't give a shit if people say they are cheesy, I like it so fuck off. I agree with someone else who said "Dont let other people dictate your taste."
guy
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1.Perasma - Swing 2 Harmony (Gabriel & Dresden remix)
2.Matt Darey - Liberation
3.Klea - Tic Toc
4.Johan Gielen - Deadline
5.Interstate - I Found You (Harry Lemon Remix)
6.Filterheadz - Yimanya (Markus Schulz remix)
7.Oceanlab - Clear Blue Water (Ferry Corsten remix)
8.Aluna - All I Need Is Time (Slusnik Luna Vocal mix)
9.Thrillseekers - New Life (Lange Remix)
10. Active Sight - The Search For Freedom
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Oct-18-2005 20:12
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