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| quote: | Originally posted by Abhay
why does it have to be so mainstream and commercial? |
well, i think (this is just my view on things, if you have other thoughts; no problem) that when tiesto would make a 'masterpiece', like for example 'Allure - The Love We Lost', which would be trance at its best, it would not 'touch' the public/audience who hears the remix during the movie. i assume the remix will be played in the movie, or during the commercial for the movie, because otherwise letting tiesto remix it would have no influence. just like what happened with that 007 movie, for which tiesto remixed madonna. although that track got playlisted quite often, the track has to fit in the concept. for example, if you like jonas steur's castamara, which is thought to be a great trance classic pur sang, it might not fit in the concept. the song has to be, i think, catchable. forgive me for my perhaps not-easy-to-follow explanation, im dutch, and i cant always find the right words. but i have the idea that such remixes have to be easy, so that the audience catches it up faitly easy. masterpiece trance anthems might also fit in a movie, for example, chicane's salt water might easily fit in a movie that has something to do with a beach, or surfing.
what i mean is that a remix/song has to get a touch/feeling within the audience. therefore, since not all people who go this movie are trance-freaks like us , might not like it if its some superb trance song, but totally not has a touch or feeling with the movie and its audience
u r getting my thoughts ?
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| quote: | Quoting Lucien Foort
House was ooit house. Een gevoel, een scene, een stroming die recalcitrant was. Waar je 's middags in Outland Records, Basic Beat, Hotsound of Kareltje netjes op je beurt wachtte om platen te scoren die je in de nacht ging horen. Waar als Roderick & Anne Fleur gingen hockeyen, Jack stoer verklaarde: “Laat er house zijn en housemuziek werd geboren”. Waar ongelovigen toch predikten “God made me funky, and I’m glad He blessed me this way”. |
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