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| quote: | Originally posted by Ishkur
I explained this already.
If you go for the music, then who's playing it is largely irrelevent and for the purposes of self-inflicted fun, probably preferable that he remain anonymous; the party aesthete draws no attention to him. The DJ is a means to further the music. Not an end in himself, which is what's wrong with the state of trance today--you people have erronously replaced the music with the DJ. Ignore him, and take solace in the comfort that the music is always there and it is always on and he is always playing it. The rest is your playground.
If you go for the DJ, then what he plays is immaterial and inconsequential, for it will be something you've never heard before, delivered in a form that has never been done (theoretically). The music thus becomes a means to showcase his talent and skill, and becomes a tool that he weaves into a tapestry of speed, finesse and trickery. |
Yet you didn't really answer my question. I already know what happens when we go for the music, and when we go for the dj. So why can't we go for both, in the case we already know the dj will play music that fits our taste? In fact how can you go for the music without beforehand having some knowledge of the dj, or at least suspecting he might play something good? Isn't this giving importance to the dj already?
I agree the focus is too much on the guy who plays others' music, and that tons of unknowns are as good as hyped superstars. But is it impossible to listen to good stuff, mixed with talent and skill? Cause that's what you seem to be claiming.
Personally I don't give a fuck anymore about technicalities, about how stellar that beatmatching was or how that guy managed to mix 10 records at the same time. I go for the music, it's just that i'm too picky with it so, in order to listen what i like i need to follow the guys who play what i like. Without worshipping them.
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sempre contra a corrente do jogo
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