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| quote: | Originally posted by fr0st
As I see you just recently joined, ill bare you the details. But Highshit and I go way back(2 years or so). And if anyone is gonna deal with his homophobic tendancies its gonna be me.
Also from my intrusive post search of you, because i have no clue who you are and was curious. I see you tend to go to the big brand name techno(err i mean trance, progelectropsybreaks what ever the catchy genre term is for it nowadays) events. Do you go to any of the more "underground" acts? It would seem the same superficial reasons that lead you to those 90's bands prolly lead you to electronic music. Or maybe it is drugs(last few trance events I have been to, i actually believe the only way you could enjoy them is with a few hits of e). Or it could be even the ladies for all i know. Because if its in search of new innovative music PVD isnt it, markus isnt it, and AVB us deffinately not fucking it.
Yeah im not trying to come off a prick its the 90's angst and all.
I also totaly agree on the record exutive comment. But if those types of records didn't sell they wouldn't lead million dollar add campaigns with billboards, magazines, radio plays etc. They practicly force people to like that shit. I mean i havent listened to a radio in about 2 years and even i know some of the most recent pop songs. They force feed us shit and we buy it. If consumers were smarter this wouldnt happen. And dont get me started on MP3's(yeah im guity of them too) but they fucking destroyed the independant market for all genres.
This even goes further than just marketing. it goes into the production.
Nickleback(fucking douchebags if there ever were ones, they deffinately are going to hell for a dollar and fame)
http://www.thewebshite.net/nickelback.htm
Listen to this in stero. Drums perfectly sync up, chord changes at same time drum fills almost identical. And i dont know of any drummers that keep tempo perfectly constant through the whole song(computer edited and synced anyone?).
And the loss of dynamics in modern music. This again we have to thank the record labels. They want the shit to be the loudest song on the radio. Why you ask? So its heard, so it becomes familiar, so you can sing the fucking chorus while your driving down the road in your car with the windows down.
http://en.wikipedia.org/wiki/Loudness_war
Fuck record companies, fuck musicans who give into demands of record campanies and sell all artistic integrity they have, and lastly fuck you consumers who bought the most recent 50cent, little john, nickleback(fuck them the most), britany spears(I admit though toxic was cool, though prolly force fed to me) yeah fuck all you billboard scum sucking consumers. In the end we ultimately fuck ourselves. Wether it be our music, our planet, our culture. The only ones we can blame are ourselves for never doing anything about it. |
I see you got alot of time on your hands 
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