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I just want to respond to those who have said ableton live is a production tool.
It's really not - it was designed as a new paradigm for live performance, not production in the studio sense. Ableton was designed for live production. Deejaying can be thought of as a form of live production.
Ableton is a ridiculous program. I will not use it again in a live setting however, for DJ sets. I have some friends who perform live electronic synthesizer-based music in a sort of laptop band and I feel the way they are using ableton is the best way to use the program. The kinds of things I have heard from them live is just mindblowing. Especially since they are very much out of the dance scene and are coming up with the stuff on their own just by experimenting with sound.
Every mix I have ever done with ableton, while I like to listen to some of them, they just feel like I was lazy. I have to say there are a lot of cool things I could do with ableton, especially things involving transposition and vsti add-ons, but I've pretty much decided not to use ableton for DJing any longer.
However, I heavily rely on ableton for preparing for gigs under pressure. When I get a batch of new tracks right before a gig, I bring them in ableton, key them all, warp them, rename them, and during this whole process I am mixing them against other tracks and then I build little chunks of playlist which eventually assemble into a loose structural concept or sonic concept for a gig with some specific ideas about how to mix certain blocks of tracks. I use it as a blueprint for mixing later on CDJs and for identifying cues, etc
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