Originally posted by Echosystem Why dont you take feedback like a man when you ask for it?
Hey guys i actually did take the feedback i got into consideration from everyone on this post good and bad. I then realized what i was doing wrong. (and that was 3 things , was not in key, too long of steps ,and too much dissonance ),but i guess we will all get there some day in time we all learn at different levels ,we just have to be patient ,a lot of the stuff i learned i allready knew just was not doing it.
So this is a sample its not much but at least its a start where i can build on and its a lot better than my previous work.
quote:
Fait quote:
Originally posted by Ray_Chappell
Newtrancer - why don't you post a MIDI file and let someone show you what they mean regarding the patch.
i have pmed a few people here and no one has got back to me so i figured id just learn on my own
Last edited by newtrancer on Jul-31-2007 at 01:32
Jul-29-2007 22:26
Evolve140
Only Sidechaining a Bit
Registered: Mar 2005
Location: Denver
your rhythms are correct but some of the notes (chords) are wrong.........
Jul-29-2007 23:16
Evolve140
Only Sidechaining a Bit
Registered: Mar 2005
Location: Denver
Here is some of my recent work, you can hear the "correct" melodies; ie, there are no chodal or harmonic clashes going on.
Registered: Dec 2006
Location: Red Wing, United States (a deep pit... very deep)
I never studied music theory. Eventually, you just "get" this mathematical relationship between notes, especially when you start playing piano by ear. You understand how to harmonize left hand notes to provide "minor" key, or "major" key.
Try this exercise: get a Midi keyboard and a piano patch and just pick out the notes and chord structure of your favorite songs (trance or otherwise). This really helps you get a feel for the music language, and how there is a mathematical relationship between the distance between notes that causes dissonance, consanance and the life. You beging to "feel" your music, and you begin to "say" what you mean when it comes to writing music.