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| quote: | Originally posted by nefardec
Guys - tony is absolutely right when he says that.
Unless you're playing for others you're not deejaying. You'll notice any definition or answer to the question 'what is a dj' in any book always includes an audience, a motive, some sort of presentation. If you're just collecting music and playing it for yourself with armin posters you're just another guy with expensive toys.
Deejaying is a performing art, not a hobby. There is showmanship involved, there is storytelling, it's a form of communication. If you're making mixes and doing radio stuff but staying in the bedroom, fine that's deejaying because you have a listener in mind besides yourself, which means you are doing it as entertainment or education or communication or promotion.
Otherwise don't kid yourself, you're just playing with expensive audio equipment
Another thing. Deejaying has nothing to do with mixing whatsoever. Or even skill. Like I said it's a performance art. It's a presentation art, a communcation art. Listen to mixes from David Mancuso's nyc loft parties - he doesn't even believe in mixing records. Yet he is undeniably a DJ.
Knowing how to mix in a bedroom is about as valuable a home skill as knowing how to make yourself a grilled cheese. Once you learn how to cook and entertain for a large dinner party it's a different game |
your lame attempt at discrediting guys who do it for the love of mixing and manipulating the music we love with our "expensive toys", i honestly would not want to be "dj" unless i had a big following, made well known tracks, and played for big audiences on a regular basis that apreciated what was coming out of the speakers.. anything less sounds lame and cliche imo, ANYONE can get gigs, big fucking deal, just takes knowing the right people..
oh and nice touch with the "armin posters"
gay

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