|
| quote: | Originally posted by Lebezniatnikov
Loved it. I'm going to go against the grain a bit and say that I much preferred the beginning and end of the mix to the middle - one track in particular just got too techy for my tastes and got away from the groove that I loved about the rest.
The operatic intro was a class idea I think - it didn't *quite* mesh well with your intro track, but I love the innovation and hope you don't throw out the idea of trying something like that in the future. It was a near miss, but has a lot of potential as a concept. If I'm going to listen to a set in my room or my car I like to have that hook in a set that draws you in - the choir did this, but wasn't as effective as it could have been if utilized differently. I'm not sure if that makes sense. Loved the concept, think you should keep working on the implementation of it. The outro provided a nice bookend to the mix as well, which I liked. I think it worked better with the track chosen than the intro did.
Loved the Redroche and Timewriter tracks, as well as the New Order remix. Keep up the great track selection - I look forward to your installments. Between you, RJT, lucid, cmay, and a few others, this sub-forum has really managed to encapsulate what I'm into far better than the big jocks as of late. |
Great review, thank you very much!
I definitely see what you're talking about with the intro/outro thing. Perhaps good concept but poor utilization. I'm glad you enjoyed the mix as a whole.
|