quote:

Originally posted by Omega_Blue interesting. sounds really nice.

Hear the sample I posted!

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There I was about to say, hey, this effect is cool, I wish I could hear this in the track, and then low and behold.

Cool effect dude

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quote:

Originally posted by Theran Hear the sample I posted!

already did


a tut would be great

... still not my favourite :-)

import a verse, make it 4x as long using timestretch, put a LOT of reverb on it, plus insert a signal doubling with the reverb signal as DRY and as WET, a bpf filter with lfo synced to 4 bars and a little Resonance. Icing on the cake, put a noise gate and sidechain it to 16th notes hat with a little release. Voilàààà.

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quote:

Originally posted by Omega_Blue already did a tut would be great

I will make one after wednesday, because then I'll have my last exam from college.

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Upcoming releases:
Hernandes ft. Stine Groove - Without You (Kyota remix) (Redux Recordings)
Kyota - Senegal (Flashover Recordings)

quote:

Originally posted by Lolo ... still not my favourite :-) import a verse, make it 4x as long using timestretch, put a LOT of reverb on it, plus insert a signal doubling with the reverb signal as DRY and as WET, a bpf filter with lfo synced to 4 bars and a little Resonance. Icing on the cake, put a noise gate and sidechain it to 16th notes hat with a little release. Voilàààà.

sample ?

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quote:

Originally posted by Theran - Take you vocal sample, reverse it and put a gigantic amount of reverb on it. - Bounce the reversed vocal with reverb to a seperate audio track. - Insert the reversed vocal with reverb, and reverse it again (so it 'll be correct again, with reverb ofcourse. - Put it under you 'clean' vocal sample, and ofcourse turn the level down a little. What you'll have now is a sort of reversed reverb during the entire vocal, this brings out some really nice effect. If anyone wants, I''ll post a sample.

If you wish to allow the vocal to come thorugh cleaner the classic option is sidechainig the reversed reverb with the original vocal which will duck the effect while singing and allowing it to come up in volume when it stops.

This also works well if you want to pile loads of delays on but dont want it to clutter up the vocal while playing but come in when finished.

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quote:

Originally posted by Theran I have actually used the following thing on the vocal of "The longest road". I was really trying to figure out how reverse reverb was working when I found this out: - Take you vocal sample, reverse it and put a gigantic amount of reverb on it. - Bounce the reversed vocal with reverb to a seperate audio track. - Insert the reversed vocal with reverb, and reverse it again (so it 'll be correct again, with reverb ofcourse. - Put it under you 'clean' vocal sample, and ofcourse turn the level down a little. What you'll have now is a sort of reversed reverb during the entire vocal, this brings out some really nice effect. If anyone wants, I''ll post a sample.

Is this the tutorial?
Or will there be more datailed tutorial coming up?


This has been really great thread!
Cool ideas!

quote:

Originally posted by Lana Is this the tutorial? Or will there be more datailed tutorial coming up? This has been really great thread! Cool ideas!

This isn't the tutorial. Just a short description. I still have to make the tutorial, didn't really had the time yet. Maybe tonight

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Upcoming releases:
Hernandes ft. Stine Groove - Without You (Kyota remix) (Redux Recordings)
Kyota - Senegal (Flashover Recordings)

Ok, can't wait!!
Will you post the tutorial under this thread or will you creat totally new?

If you have a long vocal delay or reverb and it makes the vocal sound muddy. Try sidechaining the delay with the dry vocal. The vocal will sound more clear but will still retain the delay/reverb at the end of phrases.