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This is all about the fucking Michel de Hey and Guido Schneider tunes, and then everything that follows them - don't get me wrong, loved the beginning of it as well when I finally got around to bumming it while having a run this afternoon, but the end is just immense.
You do the wonky stuff well, Mark - I don't care for Total Departure, but "Out" with "California Gold" was mega. I absolutely love playing "California Gold" solely to play with that vocal.
Anyways, nice work. *Jerk, jerk* 
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