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Inrush
Supreme tranceaddict

Registered: Nov 2008
Location: Kitchener
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Jan-12-2009 18:24
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kotsy
Avatar Superstar

Registered: Jul 2006
Location: Underground
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Jan-12-2009 18:24
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elFreak
Blood Diamonds and Salsa

Registered: Feb 2008
Location: With Juan Pachanga Eating Tacos. Ah Ha Si Mi Gusta.
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Jan-12-2009 18:29
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Intangible
*FACEPALM*

Registered: Feb 2008
Location: Dancing with strangers in dark rooms - Toronto
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Wow... okay...
1) Ok I guess I agree with you Aaron - Porter should be kept to a 2-3 hour set, but maybe saved for last... As already mentioned, how can one continue the momentum after a Porter set.
2) The Evan G/Crowd Interaction/Opener 'debate'
Crowd interaction comes in a variety of forms. I do not expect a dj to be smiling from ear to ear all night, or dancing around all night, etc... But anyone who was there can agree with me... Evan G showed no crowed interaction. He kept his head tilted at the same angle, his eyes looked half closed, the only time he moved was too look for a CD or take a drink. My main complaint is he never made a connection with the dance floor. He never looked up. I think his skill level would improve if he would bother to read the crowd and aim to please. If this was an international dj performing people would not be pleased.
IMO a live DJ does not just mix music... thats what radio shows or albums are for. Interaction is necessary. ESPECIALLY in venues such as footwork or the gallery where it is a more up close and personal set up - interaction is KEY. I do watch the DJ. I want to know he is having a good time. I feed of his energy.... and I know I am not the only one.
As for the whole 'Evan G was opening therefore his set should be slower arguement'... Aleksandra's set had more momentum (Im not talking about the 'banging factor') than Evan Gs, and a night should not go backwards. In my opinion Evan G should have acted as a bridge between the two DJs. Picking up the pace (just a bit), but by the time Porter took over most people should already be having fun. My favourite transitions are when you dont even notice. This was like night and day.
The city has MANY talented DJs. I think footwork should consider someone else next time Porter is booked.
___________________
"House music is the soundtrack to the more deviant, exciting, rebellious side of life." -Lawler
Last edited by Intangible on Jan-12-2009 at 18:40
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Jan-12-2009 18:33
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Inrush
Supreme tranceaddict

Registered: Nov 2008
Location: Kitchener
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Jan-12-2009 18:39
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ChemEnhanced
ƒ¶ƒåƒÓƒÛƒnƒéƒßƒåƒnƒÚƒÕƒÞƒ

Registered: Mar 2005
Location: Milton, ON Canada
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| quote: | Originally posted by Intangible
Crowd interaction comes in a variety of forms. I do not expect a dj to be smiling from ear to ear all night, or dancing around all night, etc... But anyone who was there can agree with me... Evan G showed no crowed interaction. He kept his head tilted at the same angle, his eyes looked half closed, the only time he moved was too look for a CD or take a drink. My main complaint is he never made a connection with the dance floor. He never looked up. I think his skill level would improve if he would bother to read the crowd and aim to please. If this was an international dj performing people would not be pleased.
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sounds like you are talking about Digweed
___________________
| quote: | | Scott has been introduced to the rave scene, and Ecstasy, by Craig. The two of them go out on the weekends, with some of Craigs friends, and stay up all night, dancing in a drug-fueled trance. |
Last edited by Moral Hazard on Apr-26-2011 at 07:48
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Jan-12-2009 18:40
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Inrush
Supreme tranceaddict

Registered: Nov 2008
Location: Kitchener
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| quote: | Originally posted by Intangible
Wow... okay...
1) Ok I guess I agree with you Aaron - Porter should be kept to a 2-3 hour set, but maybe saved for last... As already mentioned, how can one continue the momentum after a Porter set.
2) The Evan G/Crowd Interaction/Opener 'debate'
Crowd interaction comes in a variety of forms. I do not expect a dj to be smiling from ear to ear all night, or dancing around all night, etc... But anyone who was there can agree with me... Evan G showed no crowed interaction. He kept his head tilted at the same angle, his eyes looked half closed, the only time he moved was too look for a CD or take a drink. My main complaint is he never made a connection with the dance floor. He never looked up. I think his skill level would improve if he would bother to read the crowd and aim to please. If this was an international dj performing people would not be pleased.
IMO a live DJ does not just mix music... thats what radio shows or albums are for. Interaction is necessary. ESPECIALLY in venues such as footwork or the gallery where it is a more up close and personal set up - interaction is KEY. I do watch the DJ. I want to know he is having a good time. I feed of his energy.... and I know I am not the only one.
As for the whole 'Evan G was opening therefore his set should be slower arguement'... Aleksandra's set had more momentum (Im not talking about the 'banging factor') than Evan Gs, and a night should not go backwards. In my opinion Evan G should have acted as a bridge between the two DJs. Picking up the pace (just a bit), but by the time Porter took over most people should already be having fun. My favourite transitions are when you dont even notice. This was like night and day.
The city has MANY talented DJs. I think footwork should consider someone else next time Porter is booked. |
What I have been trying to get at but i guess I said it wrong
___________________
Inrush - Soundcloud [New podcast! house, tech, prog, electro] <-- click to head over!
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Jan-12-2009 18:42
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elFreak
Blood Diamonds and Salsa

Registered: Feb 2008
Location: With Juan Pachanga Eating Tacos. Ah Ha Si Mi Gusta.
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Jan-12-2009 18:48
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