quote:

Originally posted by cronodevir People who explode over stupid shit are fail. Actually, people who explode are fail.

What are you talking about?

quote:

Originally posted by MrJiveBoJingles What are you talking about?

I believe he means exploding suicide bombers are not cool.



And btw, i loved that first patch.

http://www.youtube.com/watch?v=e4OWsez10Zg

___________________
Trance Addict 4 LIFE!

quote:

Dr.DRE "It's not the equipment....it's the muthaf@#%r running it"

quote:

Originally posted by Pagan-za Fighting online is like winning the special Olympics. Even if you win, you're still retarded.

quote:

Originally posted by MrJiveBoJingles No... Any sound rich in overtones (like a saw wave) can be thought of as the combination of a bunch of sine waves of different frequencies. The "note" you play denotes the frequency of the loudest and deepest sine wave (fundamental frequency); the overtones (whole or fractional multiples of fundamental frequency) are quieter and often hard to distinguish individually, but they give the sound its "character" or "timbre." Combining sine waves of different frequencies together is the principle behind additive synthesis. Subtractive synthesis takes a sound that's already rich in harmonics (like square or saw) and takes some of those harmonics away by filtering them out.

So additive is just subtractive without a filter?

___________________


Check out my Goa and psy Trance mixes!

quote:

Originally posted by Darkarbiter So additive is just subtractive without a filter?

No. The two types of synthesis are basically opposite to one another, as suggested by the names...

New sound in FM7, I think it's kind of interesting:

http://jbj.raceriv.com/sounds/pluck-lone-FM7.mp3
http://jbj.raceriv.com/sounds/plucky1-FM7.mp3
http://jbj.raceriv.com/sounds/pluck-longenv-FM7.mp3

^ A few variations on the same sound. First one is with Operator E turned off, second with it turned on -- it gives a little "disorted" sounding tone to it. Third file is with Operator F's envelope at a higher sustain volume.

Here's the patch if you want to play around with it yourself:

http://jbj.raceriv.com/sounds/patches/FM7--Pluck1.f7p

I love FM Synthesis. I think its one of the things that VSTi's do really well. I use it quite a bit for warm sounds, 80s sounds, and plucks for house and techno. Also FM7 is my goto synth for hip hop at the moment.

___________________
_____________________________________
commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.

A couple more FM7 patches for anyone who's interested:

Bell-like thing: [mp3] [patch]
Trippy bass patch: [mp3] [patch]

For the second one I just turned on an additional operator for each sound; it starts with two playing and ends with six.

^^^^^^^
cool shit

___________________
hearthis
soundcloud
youtube

quote:

Originally posted by MrJiveBoJingles New sound in FM7, I think it's kind of interesting: http://jbj.raceriv.com/sounds/pluck-lone-FM7.mp3 http://jbj.raceriv.com/sounds/plucky1-FM7.mp3 http://jbj.raceriv.com/sounds/pluck-longenv-FM7.mp3 ^ A few variations on the same sound. First one is with Operator E turned off, second with it turned on -- it gives a little "disorted" sounding tone to it. Third file is with Operator F's envelope at a higher sustain volume. Here's the patch if you want to play around with it yourself: http://jbj.raceriv.com/sounds/patches/FM7--Pluck1.f7p

Do you know if these will work in FM8?

___________________
cryophonik.com | facebook | soundcloud

Sonar Platinum | Ableton Live 9 | Logic Pro X | Access Virus TI2 Keyboard | Kurzweil PC3X | Nord Lead 4R | NI Maschine

quote:

Originally posted by cryophonik Do you know if these will work in FM8?

I would assume so, but I don't know for sure as I haven't used FM8. It would certainly be a bad move on the part of NI to make everyone's pre-FM8 patches obsolete with the upgrade...