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I agree with most of you. As long as the music is good I don't give a flying fudge on how it's being played.
HOWEVER there are some points I totally disagree with
| quote: | Originally posted by nefardec
who needs endless possibilities when you just need a few of the best |
I began producing two years ago and started fiddling and scratching the surface of what you call those endless possibilities and let me tell you man, I just wanna go deeper and explore more.
| quote: | Originally posted by Clovis
SO fucking true and the essence of why to me Ableton is not for DJing. |
I'll always be the first one to say that music is meant to be mixed 'untouched': no crazy shitty effects that show a lack of mixing skill imo. I'm more of a purist so to say. Play the damn track the way you first heard it, don't filter that shit, just play it and mix you know? But you know I get bored of mixing after 5 tracks because I don't have enough control over what I play. This is why Ableton Live is the solution for molecular mixing. If I have the time, i'd love to make that kind of set!
| quote: | Originally posted by nefardec
so now we have deejays, producers/live performers, and wannabes who can do neither and just fuck with other people's works of art by adding looping vst parameters and layer inane drum loops and delays |
You can make insane stuff by taking samples off a random track i assure you, give me a track and i'll rape its fuckhole
| quote: | Originally posted by nefardec
with endless possibilities you also end up with endless shitty products |
Wrong the possiblities were already endless from the start. The possibilities just became quicker to explore but they didn't become easier to reach.
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The party to end all parties (part one with Layo & Bushwacka!) (part two with Laurent Garnier)
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