what about hardware reverbs/delays? which ones are good? id like one in a 19" rack. then use send/return stuff.
Sep-16-2009 11:26
thecYrus
Supreme tranceaddict
Registered: Oct 2002
Location:
quote:
Originally posted by palm
what about hardware reverbs/delays? which ones are good? id like one in a 19" rack. then use send/return stuff.
lexicon pcm 91, 480, 960, ...
bricasti m7
Sep-16-2009 11:29
derail
Supreme tranceaddict
Registered: Feb 2007
Location: Canberra, Australia
I really like the PCM91 as my main reverb. The price on them may have come down now that the PCM96 is out. Though I'm sure the 96 would be fantastic too (just a bit pricier).
However, a lot of the reverbs you've heard in your favourite trance songs are indeed on-board reverbs from various synths and samplers. If it sounds good in the mix, it's good.
Sep-16-2009 13:00
Zak McKracken
Trance
Registered: Jun 2003
Location:
another thing im wondering about when using hardware delays on send/return on daws is latency. how does that work?
Sep-16-2009 16:46
dannib
Supreme tranceaddict
Registered: Jan 2004
Location: midlands, uk
In cubase (what i use) you have full delay compensation on external effects! works brilliantly too. what DAW are you using?
Sep-16-2009 17:28
Zak McKracken
Trance
Registered: Jun 2003
Location:
im learning logic atm, but i suck at it lol. also im trying to learn some ableton but not for production really, more for live/djeing.
Sep-16-2009 17:33
evo8
Virtual Wannabe
Registered: Aug 2004
Location:
quote:
Originally posted by thecYrus
lexicon pcm 91, 480, 960, ...
bricasti m7
even for my untrained ear the reverb of v-station sounds horrific.
Sep-16-2009 18:33
thecYrus
Supreme tranceaddict
Registered: Oct 2002
Location:
quote:
Originally posted by evo8
using those bricasti m7 impulses, very very nice!
impulses capture only a small part of such a reverb as all modulation is lost. so just imagine how good those are in real. a rebverb is a very complex thing and is not that much about computing power. even after years the current vst reverbs are not even close to the top hardware reverbs out there.
but if someone wants a free reverb, i can't recommend enough the bootsie epicverb. just amazing this thing (as all his other plugins)
Sep-16-2009 19:48
MrJiveBoJingles
Supreme tranceaddict
Registered: Jun 2004
Location: U.S.
quote:
Originally posted by thecYrus
but if someone wants a free reverb, i can't recommend enough the bootsie epicverb. just amazing this thing (as all his other plugins)
+1, thanks for mentioning that before, I use it a lot now.
Sep-16-2009 20:10
adi_hanson
feels a newbie.
Registered: Dec 2007
Location: Blackburn
quote:
Originally posted by offensive_newbi
even for my untrained ear the reverb of v-station sounds horrific.
It is , i always shove FL's reverb on a v-station channel because of it.
I haven't seen this mentioned so maybe it's just my kwerky view on things, but I tend to avoid using any of the built in verbs on my vsts.
I will switch all the verbs off on my vsts. Set up one buss that has a verb i.e. drum room style verb (Usually from Waves Rverb). I will route the majority of my high end stuff here in order to give it some nearby accoustic qualities which will help to take away that 'dry' computerised sound. The levels that I place on each sound comming into this buss will vary depending on the sound but I will audition each sound to ensure that it has a 'live' quality too it and the pre-delay will usually be set quite low here.
Then on another buss I will create a much bigger verb for a larger space which will usually have slightly higher levels on it for each sound with a greater setting on the pre delay so that it doesn't affect the verb from the first buss.
Doing this all of my sounds that utilise reverb will share the same sonic qualities and give the impression that they occupy the same space.
It also gives you the ability to EQ each reverb separately in the mix down so that you can control the reverb effect much better over all so if you have an element in the reverb that is affecting a primary sound in the mix you can cut that frequency on the effect rather than having to do to the sound itself.
I will also roll off the bottom end on the verb busses in order to ensure that the bass and rythm section are not affected and can cut cleanly through the mix.
I will also roll off higher freqs on verb to ensure that the things like high hats have a clean presence and are not interfered with by this effect.
It also produces less of a drain on valuable CPU as you will be using less effects overall.
Sometimes to add character to the delay that I use in the track I will create a separate buss for the delay for reasons mentioned above and then also route that to both verb units to ensure that the delay effect sounds like it is also in the same space.
Knowing how to use a verb well is more effective than having an expensive one.