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Re: Music tastes and wider tastes
| quote: | Originally posted by SYSTEM-J
Another one of those conceptual MD threads.
Basically, I've been thinking about how our music tastes fit into to our wider tastes, and whether tastes in other areas influence what we enjoy in music.
I'm sure plenty of exceptions will crop up in this thread, but for me it seems there is a general correlation between the kind of things people like overall and what they like in music. Specifically with how lowbrow/highbrow their tastes are. I can't, for instance, imagine someone who has generally highbrow tastes, reads Proust, watches Bergman movies, likes abstract visual art and then listens to happy hardcore. Where as your stereotypical college student who likes touchy feely liberal things generally seems to gravitate towards blog rock, and your no-nonsense trash-TV loving folks love their disposible, digestible pop music.
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See, right here, this is completely biased. There is no mold and people can't be entirely put into categories without other things brought to the equation. Music surpasses the intellect, i think nefardec said this. Well, i think it's very true, music is made up of vibrations. Unlike other means of art such as literature and visual art, music is based on sound. some people develop preferences to what tonalities please their senses, etc. These might or might not be influenced by their other tastes, I think most of these are conditioned and are dependent on demographics and standard of living as well as nurture. someone who is taught to play the piano from a young age might have a wider or more narrow selection, and it might even play a more personal role in his/her life. This doesn't mean that someone who is not well read, has no interest in literature, etc cannot make or listen to more difficult genres.
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"I think the scientific and the artistic spirit have something in common. The scientist wants not only to learn the facts, but to understand how they cohere, fit together and make a whole. He even uses criteria such as beauty and symmetry to help decide which theory he wants.
The scientist cannot capture the whole cosmos in thought. In his mind he makes a kind of microcosm, which we see as an analogue of the cosmos. In this way we try to get a feeling for the whole. The artist, I suppose, gets a feeling for the whole some other way.”
David Bohm in “Art, Dialogue and the Implicate Order”, published in On Creativity RC (Routledge Classics)
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