the time would only matters for the onset of the compressor. The transients would matter if a compressor could act fast enough to actually catch the fast attack transient of the high freq but they can't so the point is moot. A compressor averages amplitudes and the operation doesn't happen instantly. You are wrong.

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Originally posted by RichieV in almost every practical situation , it won't .

The language is there, you fail to comprehend it. Which is purely your fault. 1 ms difference between the two = X + 1, meaning X can be any number, and doesnt have to be 1, and does not mean 1ms obviously. It could be 792ms and 793ms. Do I got dumb everything down for you? After the countless fails,dont you get bored? You should be practicing your composition and production skills instead . People without music theory background got you beat lol.

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commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.

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Originally posted by RichieV the time would only matters for the onset of the compressor. The transients would matter if a compressor could act fast enough to actually catch the fast attack transient of the high freq but they can't so the point is moot. A compressor averages amplitudes and the operation doesn't happen instantly. You are wrong.

What the shit is this? You're not even making any sense. Like I said, go learn everything a compressor does to a transient, and how the different parameters act and shape a sound.

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commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.

a compressor doesn't count numbers you fucking tard , it analyses the relative timing between a transient and the specified attack time. Regardless of the timing, it will look for the fastest transient within the given time frame. The release also matters because lets just say a compressor can act that quick which it doesn't , I have yet to see any compressor have a release that quick which means the low Hz will act on it eventually making your point irrelevant. It really isn't that hard and I think you should read up a little on what a compressor actually does because I don't think you get the jist.

And I had to program a compressor vst in school . I know what i'm talking about. So just stop.

You also are some "music theory specialist."

And you haven't got the first clue about compression, since you agreed with MrJive, even though he didnt even mention transients. All around lame.

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commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.

yup

and I have a masters in composition
I do music for a living. You don't
You make shitty house music and troll on message-boards.

I think I covered the bases here.

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Originally posted by RichieV yup and I have a masters in composition I do music for a living. You don't You make shitty house music and troll on message-boards. I think I covered the bases here.

jeeez what a hardcore troll. Where are you mannersz?

Fail.

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commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.

I didn't mention transients because the OP didn't ask about them. He asked about amplitudes and frequency ranges.

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Originally posted by MrJiveBoJingles I didn't mention transients because the OP didn't ask about them. He asked about amplitudes and frequency ranges.

Well then you didnt help him by not mentioning it. Why not mention transients of a sound if they impact the limiter? I could give you an analogy, but its a safe bet you desperate to not be wrong lol. O well i'll give it anyways, you go to a Mechanic, wanting an oil change, if he sees a problem with your breaks, as a professional he should educate you about your breaks. Just because he didnt ask about transients, does not mean you should have not have told him about how they might affect things.

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commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.

I laughed. Kismet please stop. You didn't read properly (literally and context-wise) on page one and look where it got us.

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If less is more think about how much more more would be. -Frasier

he's like the fucking energizer bunny but with down syndrome.