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| quote: | Since we are discussing the vinyl and CD medium in respect to dance music, I confined my reasons to only that.
Electronica is produced digitally. Which means, the original signal is digital. Whatever limitation of that digital recording is then sent to a mechanical device that cuts the vinyl and represents that digital signal into an analog signal. If that digital signal is a 44.1kHz (standard, although there are much higher sampling rates can be created) then the analog representation is recreated from a 44.1 signal.
A record playing system (recording from an analog source) has the potential to reproduce frequencies well above the CD's upper limit. However, in actual practice LP reproduction is limited by many other factors, including the quality of vinyl, stylus compliance, and the condition of the record. Even on the outer grooves, a dust partticle or groove deformation only 0.025 millimeter in diameter will cause the same loss of high-frequently resolution as that designed into the CD standard. On the inner grooves, the dust particle need be only 0.011 mm in diameter to produce the same loss.
No one can argue with the statement that the original recording is the best recording. In the recording industry, the original recordings are the master tapes. From the master tapes, all the vinyls and CDs are created. Now in the electronica world, if the original recording (digital) was produced at 24bit 96kHz and copies onto CD and vinyl, theoratically CD and vinyl would sound the same. Now let's look back at paragraph #2, the upkeep of vinyl is expensive and those dust particles will more than likely get into your vinyl degrading your sound quality. Vinyl has more distortions than CDs because of that. Those cracks and pops found in vinyl are non-existent in CDs. See my point?
Vinyl may sound better recorded from an analog source, but when it's being recorded from a digital source it loses. |
Well said. I don't know though... something about those cracks and pops... 
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