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Originally posted by Subtle Moog --> Compressor --> EQ (rarely need to touch it)

Pretty much the same as this

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Originally posted by Looney4Clooney Why do white people have such a hard time sounding funky. Its house. Right now it sounds like circus jumpstyle.

Need a tut. LOL

White people can't dance, cause they don't dance.

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Originally posted by dj_alfi change your avatar for fucks sake.

i usually have one synth going into one fx channel for some gentle touches, then it's sent out to the 2-5 next channels, where i take different spectres of the sound, and apply various fx's on them, then they are all sent back to a new channel, where i glue the sound back together.


it can make for some really interesting sounds, especially basses. i can probably post up a video if anyone is interested in seeing it.

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quote:

ALFI - BOHICA - DJ MIX (Stream+Dropbox)

Last edited by itsamemario on Mar-27-2011 at 19:46

Some interesting stuff I've taken from all the posts here.
Looney - that's pretty funky and the sub is nicely isolated.

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Originally posted by DJ RANN Firstly, get rid of the sonic maximiser. You'd do way better with monitors tat actually can properly represent bass frequencies....(here we go again)....like the Yama HS80, Dynaudio BM5 etc.

I noticed the bass in a lot of good tracks have this warm squeezed sound which gives you that fizzy chest feeling, lol. That's why I took to using the BBE on bass. I'll be subbtle with it going forward.

Yep, I've put the Fostex monitors up for sale and will get something better as this bass thing always frustrates me as I'm not a moron and I think I know what I'm doing, so it's always annoying when the bass does not translate outside of the studio.

SUB - do people find a pure sine wave is thier go - to for sub? I read somewhere that using feedback filter resonance gives the purest sub.

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