quote:

Originally posted by caddyshack ^^ thats all there is to say, if a person can make a venue money they will get paid accordingly. Just like superstar football teams. I'm more concerned about the team owners share personally.

All I'm saying is that there's too much money in it. As I said before a good fee shouldn't have to equate to £250,000 per appearance.

quote:

Originally posted by Guest Do you under economics in any way shape or form?

Do you mean "underSTAND"? Maybe I should stick to writing and you should stick to economics

quote:

Originally posted by Alero50 Some people like to think out loud I guess? I mean your questions are rhetorical, and the answers to them are obvious. This industry works in a similar way to other known industries, i.e. Sports, Social Media, Entertainment, so why do you think the clubbing Industry is any different? And why, really, Tiesto for example, shouldn't be paid the amount of money he's being paid? Be a little more down to earth.

You've hit the nail on the head. Yes I was thinking aloud. And if you read until the end you'll see that I've admitted to being idealistic.

quote:

Originally posted by elliehanagan Maybe I should stick to writing

please dont!

quote:

Originally posted by SYSTEM-J Actually, footballers' wages are massively inflated by a very small number of mega-rich or profitable [football] clubs, and a large percentage of top flight clubs across Europe are actually in debt. A few clubs with rich owners or massive brands and revenues set the standard for wages, and the other clubs have to match these wages if they want to attract players. So really, the "economic value" of footballers is somewhat false. There was a parallel to this a decade or more ago, when DJs began commanding such high fees that [night] clubs risked going out of business if their events didn't sell out. You could say this is a dance music equivalent of "doing a Leeds United" and gambling expenditure against predicted results, with disastrous consequences. A few extremely successful promoters set the bar high, and smaller nights couldn't compete financially. This is one of the reasons why a lot of clubnights went under around 2002, and the club scene has never quite recovered in the UK. As far as I know, the situation has balanced itself a lot now. While the biggest DJs like Tiesto and Guetta earn truly massive amounts, I would guess that the average fee for a more mid-table DJ has probably gone down. So yeah... your article is several years out of date, it doesn't make nearly enough out of the interesting parallels between football and dance music, and is basically devoid of content altogether. Harsh, but if you're going to join a forum entirely to promote your own website, you should expect criticism if your content isn't up to par.

Harsh indeed. I admit I don't know nearly as much as you about football and economics. Maybe you'd like to read some of the other articles on my blog

does anyone know the actual booking fee for the likes of tiesto, guetta, skrillex, deadmau5, SHM, etc. though?

Surely it must vary on the size of the event and circumstances...for example deadmau5 has a massive production crew that he brings with him to most shows that must rack up quite a hefty bill, and if he sells out the club/festival then he must be entitled to quite a bit of cash if the event sells out basically because he is on....is that fair to say?

the names pull in the crowd at the end of the day and if a name can pull in 10,000+ people then why shouldn't they be paid X amount of cash? That's just what it's got to thesedays....shit happens

quote:

Originally posted by elliehanagan Harsh indeed. I admit I don't know nearly as much as you about football and economics. Maybe you'd like to read some of the other articles on my blog

I don't know shit about economics, but music and football are great loves of mine, and I would confidently say I know a good deal more than you about both. I had a look at your blog, but I haven't got any interest in the DJs and music you're covering, and you strike me as a hired pen writing inoffensive #trancefamily promo copy disguised as journalism. Fair play that you make money from writing about music, which I don't, and I know it's almost impossible to make a living in the music press by actually having independent views.

If you actually want to have a discussion about this, and aren't here entirely to plug your own blog, send me a PM and I'll tell you some stuff I can't talk about in public.

___________________
Mixes:
> Maximum Elevation [Progressive House]
> DI.FM 26th Anniversary Guest Mix [Progressive House]
> Live @ Dance:Love:Hub London, 11.10.2025
> Higher Peaks [Progressive House]
> Dance:Love:Hub Afterparty (The Return) 23.11.24

Like these sets? Come see me play live at Kibosh in Manchester: https://www.instagram.com/kibosh.mcr/

quote:

Originally posted by elliehanagan Wow you people are mean! Anyone ever heard of the phrase "trancefamily"?! Columns are always about free speech and people voicing their opinions to create debate and discuss things. There's no need to be rude. And as to the "work" you're referring to - at the risk of sounding like a complete douche - I have worked in the music industry for five years now, so I do have some idea of what I'm talking about. This is purely an OPINION piece, not a dissertation.

It's funny how you invoke these notions of free-speech and then attempt to discourage dissent with an accusation that we're "being mean." What I'm gathering is that you want to drive a completely uninformed discussion with 90% conjecture, free from burdensome concepts like facts or proof or actual, critical thinking. What's worse is that you qualify your OPINION with five years in the industry while behaving in a way which is far from professional and tossing around laughable marketing jargon like "trancefamily." I don't think you really understand what the word, rude, actually means.





Thanks for your support!

___________________

Now with extra singles!
my old stuff, not quite up to snuff - but I still dig it - UPDATED 9/23/2012

quote:

Originally posted by elliehanagan Well you may disagree but I think it's important to understand and be aware of the roots of electronic music and clubbing. And I don't think there's anything wrong with referring back to them to compare them with how things are today.

Things have been like this for well, more than 15 years now?

@Jack: according to her Twitter she's a freelance writer for Mixmag and Beatport.

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June 2018 mix

Last edited by Woony on Mar-14-2012 at 17:19

Yeah, I know.

___________________
Mixes:
> Maximum Elevation [Progressive House]
> DI.FM 26th Anniversary Guest Mix [Progressive House]
> Live @ Dance:Love:Hub London, 11.10.2025
> Higher Peaks [Progressive House]
> Dance:Love:Hub Afterparty (The Return) 23.11.24

Like these sets? Come see me play live at Kibosh in Manchester: https://www.instagram.com/kibosh.mcr/

Holy shit, Eddie is being rude to the trancefamily.

___________________

Klangkarussell - Sternenkinder