quote:

Originally posted by Julz It's a stock standard rolling bass line with reverb to add that thicker stereo image. Don't try complicate things :P

I think it is pretty complex if I'm honest.

Try listening to that Michael Woods track with heads, and AB to a track of your own, and personally I find his bass and kick is immaculately EQ'd. For a couple of days I've been trying much more forensic EQing on a bass, making many small slivers of cut and at the same time in that same freq range a wide lift and it seems to be giving me something I have never achieved before. We'll, see, I might be imagining things again lol!

Your bass on the remix of Berlin was great, but then that was a less frenetic more minimal track so the bass is a little easier to manage, whereas in the Michael Woods tracks the sub is pounding and omnipresent but it still sounds very clean and pure. Thats what I'm opn about.

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Last edited by Richard Butler on Apr-18-2012 at 10:42

quote:

Originally posted by DJRYAN™ http://www.robpapen.com/subboombass.html

I've had this synth a couple of years, pretty terrible really and the sub is nasty.

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quote:

Originally posted by Raphie UMEK and Marcel have told several times, they use kicks and toms for bassline's which they either pitch to key or use patches which are already mapped over an octave, then you can layer with sine subs for longer decay and thickness

I'd forgotton this technique, maybe will try this again.

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