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| quote: | Originally posted by Sykonee
Conceptually, yeah, probably. Sort of reminds me of that second mix I did way back with all the Aphex Twin on it, though you've clearly put more production into yours, and more than I probably would on any mix I did. I guess I can't be bothered with that level of production, instead preferring songs to mostly stand on their own merits.
Truth is, I don't plan out my mixes much, beyond an initial conceptual idea. Generally I'll gather up a few dozen tracks I already have of certain genres or mood, lay 'em all out in Mixcraft, and start stitching them together like a puzzle, from beginning to end, seeing what works and what doesn't. If I feel a particular track sounds interesting following another, I'll run with it and carry on, even if it's a stark contrast in style, tempo or key. Usually within a day I'll have something resembling a set, after which I tweak transitions so it flows smoother, and remove tracks that add little to whatever narrative's formed. I don't think I've spent any longer than a week making any set, most only a few days.
I suppose this is how most sets develop, but perhaps my idea of 'sounds interesting' runs quirkier than most. | I got a smile when reading this because it's the exact same thing I do, except I can never leave things alone. I'll just listen to it and wonder if doesn't sound cooler if I put a thunderstorm over it, and before long I'll have a enormous mess of tracks running over each other and it takes me months to turn it into something listenable. And then I find the flow doesn't quite work, rearrange it some other way which doesn't work, and then start all over again. I just find it a fun to do.
Byheway, do you have like a single album or comp of nineties new age you can recommend? I need to get me dad a present because apparently I forgot about his birthday.
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Mixes: Alaé (Conceptional ambient dub)
AOTSE (Experimental)
Listens:
http://www.last.fm/user/bierheld
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