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| quote: | Originally posted by enydo
GUYS, can we get back to discussing OLDSCHOOL TRANCE for the 5 billionth fucking time? I feel we haven't discussed this enough. |
Oh, right, oldschool trance!
No single post could tell you everything that happen because electronic music underwent some massive shifts in our lifetime.- It's easier/cheaper to make music now: Purchase a couple of vst's, a host, and even a 14 year old can make music nowadays (I mean, I could also make music 16 years ago when I was myself a 14 year old kid, but it was hardly anything comparable to what my favourite producers were doing). This in turn led to the following problem...
There are more producers, so the competition for good label deals are fiercer (for the good labels, that is, which are able to promote your work with some competence), and recognisable names probably have some advantage, reason why it's probably wise to stick to an alias;
- What System-J said: In this sense, your name (and performing live) is more important than being loyal to a label. Case in point: When Ferry Corsten came to Brasilia, he attracted a good crowd... which probably wouldn't have happened if DJ Sno-White came here. In the producers forum you can still find advice by old school producers telling noobies not to use their real name, in order to avoid being tethered to a particular label;
- If, that is, people do have fewer aliases now: Someone with more time on his hands should look it up.
See, COR whores can also contribute when they feel like it, Redd. Having some fun by no means deteriorate the conversation 
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