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Looney4Clooney
Supreme tranceaddict

Registered: Apr 2010
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Mar-01-2013 00:41
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Looney4Clooney
Supreme tranceaddict

Registered: Apr 2010
Location:
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Mar-01-2013 00:52
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Looney4Clooney
Supreme tranceaddict

Registered: Apr 2010
Location:
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Mar-01-2013 01:00
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Looney4Clooney
Supreme tranceaddict

Registered: Apr 2010
Location:
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Mar-01-2013 01:49
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DJRYAN™
www.djryan.com

Registered: Aug 2009
Location: Atlanta, USA
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| quote: | Originally posted by Looney4Clooney
I gave you advice for which you will not find a single engineer or producer or worth that would say otherwise. MAstering a track again is a recipe for disaster. Now when someone that does not know how to mix let alone master does this, well it doesn't take a fucking rocket scientist to tell you that you are doing something really dumb. I'm not picking on you. What you are doing is stupid, serves no purpose and if you were to actually play out would sound terrible. There is no point unless you have a track that is really really quiet. Otherwise, all you are doing is degrading the track, You don't have the ears to realize it. Not sure why others are not chiming in. Either for or against. It is a pretty simple fucking issue. If they did, you will find those that tend to knwo what they are doing agreing , and those that dislike me because my girlfriend is really fucking hot will find some reason to disagree. |
I had a friend on my FB who graduated from Point Blank tell me something similar to what you're saying and then another echo his sentiments as well. So I'm beginning to understand, at least principally what the error maybe. However, I still can't get over the difference in sound that the application of Ozone, or other filters have on a mix both in pre-production and post production. I suppose I'm just trying to get everything I can out of a mix, which I don't think is a bad thing, and while relying on my ear to not have it sound terrible, I think that using the technique as discussed isn't necessarily a bad thing. I'm not trying to re-master a track. What I'm doing is applying subtle enhancements to create the sense that all tracks in a set are coming from the same sound source or engineer. Although being a decent "mixer" helps, using plug-ins I think is also of great benefit. I'm not trying to destroy a track's dynamics nor am I trying to make it into something its not. But what I feel like I've done has improved my mixes. Could someone elaborate a little bit more. Because although I know that what I'm doing could be technically perceived as bad, in my opinion it still sounds good.
Last edited by DJRYAN™ on Mar-01-2013 at 03:48
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Mar-01-2013 03:43
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