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Unfortunately Twig is only considering productions released under the Push alias. Of course M.I.K.E. uses many project names and produces tracks varying from melodic to dirty tech-trance and everything in between. Sure, all the Push remixes sound the same. That's his most commercial project, and labels know that particular sound sells records. Do you think they would even let him do it any differently? Take a listen to Crash Guard, Liquid Overdose, Perfect State, Calling The Freak, etc. releases and you'll see they're nothing like what you mentioned. And for the record Paul van Dyk really has only one style (despite dabbling in other areas of music on occasion) -- it works, it's refined, and it sells records. I like his productions. But it would be impossible to call them anything but formulaic.
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