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Here is a turorial I found on electronic muscician
http://emusician.com/ar/emusic_beat...bliss/index.htm
It contains info on trilogy, atomospher, and stylus. The tutorial for atomospher begins at BLISS IN THE BOX
Here are the quick tips at the end of the article.
ATMOSPHERE QUICK TIPS
To apply filter sweeps manually, set the Filter Modulation control source to your mod wheel and increase the modulation depth. Then move the wheel. Also try reversing the polarity by clicking on the LED to invert the way the modulation is applied — this works for Trilogy, too.
Because LFOs 1 and 2 are different for Layers A and B, and LFOs 3 and 4 are universal for the plug-in, keep one layer stable and one moving by using LFO 1 or 2. To create complementary motion, set a modulation source to LFO 3 and 4 for both layers, and then reverse the polarity for one of the layers.
Create gradual motion in pads by assigning LFOs as the source for Filter and Amp modulation. Use a depth between 10 and 20 and a rate around 4 Hz. You will also need to increase the Filter and Amp modulation depth.
To make “chopperlike” stuttering sounds, max out the LFO's rate and depth. Then choose that LFO as the source for amplitude or pan modulation. For softer “blades,” back off on the depth.
For smoother layer blending, assign Layers A and B to opposite filters. For instance, if you apply an HPF to Layer A, try using one of the lowpass filters (LP1, LP2, or LP3) on Layer B. Keep the resonance at about 9 o'clock, and then “sweep” the cutoff until you find the sweet spot. Increase resonance to taste.
The Key knob (filter-keyboard tracking amount) can help you brighten up darker or muted-sounding patches that are in the higher register of the keyboard.
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-Brian-
'How far can I go?' - JunkieXL
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