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| quote: | Originally posted by YaleTrance
It's not about the quantity of layers, it's about the quality. The harmonization and counterpoint of Traffic as it progresses through the track is extremely minimal and subtle, but very effective in its mood creation-uplifting process. It is ultimately brilliant, no one else in trancedom can come up with something that musically well thought out. |
Hahahahahaa, you gotta be kidding me?! If there's one word that you can't use to describe Traffic, it's subtle. The melodies are loud in-your-face synth bashes, the kick is a muddy and sloppy lo-fi job(quality of layers? Don't make me laugh), and to top it all off it has shitloads of distortion and FX madness. And you're trying to tell me that it's "subtle" and "ultimately brilliant"? Gimme a break. Why do you think Tiesto didn't intend to release it in the first place? Cos it was just something he had slapped together for fun in his studio. It was purely due to the response it got on the floor that he even bothered to release it in the first place.
Then there's the fact that large portions of the track are based purely on Sean Deason's classic techno track Psychofuk - Psychofuk, which means that it wasn't Tiesto that came up with it in the first place, it was all based on another producer's work.
Having said all that I do like Traffic, it works well live and sounds quite different to the trance we're used to, but calling it "ultimately brilliant" and saying that "noone in trancedom can come up with something that musically well thought out" is pure bullshit, and makes me wonder how far the head of the person who said it is up Tiesto's ass.
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