what are YOU doing for the scene?

- dave

quote:

Originally posted by steven neil over here big name dj's and super clubs are dead...its getting back to basics in dodgy warehouses and dirty pubs...going back to the underground...for adults only....people like judge jules and fergie have killed the scene in london''

different countries, same crap talk...

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April fools.... coming sOOn

all i can do for the scene is support it..

as long as im going out thursday friday saturday and sunday,,,im doing my bit as far as im concerned,,,,none of the big name uk dj's played in britain on new years eve cos they took the money and ran off to the states....but thats cool cos we're not taking it anymore....we're getting back to the warehouses with dj's who have still got there heart in it....judge jules,,,fergie,,,oakenfold,,,,etc etc are just pop stars...we dont take 'em seriously anymore....

quote:

Originally posted by djkyo the kids was asking what program they use when they spin, and is final scratch they use that instead of binyls, next time pay more attention dude you always like to talk without knowing shit i am for real and just for that i am gona charge you 100$ per lessions for acting like a newbie

Dude your getting on my fucking nerves SHUT THE FUCK UP AND LICK A DICK! What you think you could do better than them? Maaaaaan......SHUT UP!

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bore off!! you mug! you know nuffin'..

ive been watching these boys for years...when they used to play for 50 quid a set in dodgy pubs..and when judge used to organise illegal raves when he was a barrister....hence the name judge...and when fergie was shagging tony devit.......mate..put your nsync tape back in your walkman and run down the shops for your mum..

why is it so bad that someone got successful in music and made a lot of people happy?

- dave

quote:

Originally posted by steven neil ive been watching these boys for years...when they used to play for 50 quid a set in dodgy pubs..and when judge used to organise illegal raves when he was a barrister....hence the name judge...and when fergie was shagging tony devit.......mate..put your nsync tape back in your walkman and run down the shops for your mum..

quote:

Originally posted by davedresden why is it so bad that someone got successful in music and made a lot of people happy? - dave

People just want a reason to bitch. They don't really have any other true motive.

On that note, see you in 23 hours.

I'm such a dork...

Dave

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Dave Toole - [email protected]
Spundae Productions (San Francisco, Los Angeles, Orange County, Las Vegas)

quote:

Originally posted by davedresden kyo it's called ableton live. get your facts right. - dave

Word! Thanks for the info! Looks like a very technical program. Anyhow G&D are dope, I remember back in the day on Grooveradio Dave "the wave"??? It's good to see you gettin the exposure and sharing the great music with everyone. Peace!

davedresden...steven makes an interesting point. The more popular a DJ becomes, the more clubs are willing to pay for them. Clubs then charge more, forcing club goers to choose what nights to go out. Rather than going out every weekend if the cover was lower. This causes clubnights to become less populated and weaken the overall scene. Clubbers then would have to choose to go to local events rather than the bigger events, regardless of the talent. I see this at Spundae events in Chicago. Only the very large names pack a night. When D:Fuse and Eddie Halliwell came barely half the room was full. I think you'll see this also when you come to Chicago and are packaged with James Holden and play to a half empty room. Whereas Morrillo and AVB will play to packed rooms the two weekends before you. Clubbers can't afford paying $20 to $25 a week and soon wil turn back to more underground and local events like Steven points to.

So when you post "why is it so bad that someone got successful in music and made a lot of people happy?"---My answer would be listed above.

i remember when i saw u2 in a small club in new haven ct in 1985. but i don't go on message boards longing for the days when i could see u2 in a small club and immaturely saying that they were sleeping with thier manager or how underground they used to be.

the elitism is dance music is what keeps it as an art form in the "joke" status with the rest of the world.

i, for one, would like no part in that.

- dave

quote:

Originally posted by mb2004 davedresden...steven makes an interesting point. The more popular a DJ becomes, the more clubs are willing to pay for them. Clubs then charge more, forcing club goers to choose what nights to go out. Rather than going out every weekend if the cover was lower. This causes clubnights to become less populated and weaken the overall scene. Clubbers then would have to choose to go to local events rather than the bigger events, regardless of the talent. I see this at Spundae events in Chicago. Only the very large names pack a night. When D:Fuse and Eddie Halliwell came barely half the room was full. I think you'll see this also when you come to Chicago and are packaged with James Holden and play to a half empty room. Whereas Morrillo and AVB will play to packed rooms the two weekends before you. Clubbers can't afford paying $20 to $25 a week and soon wil turn back to more underground and local events like Steven points to. So when you post "why is it so bad that someone got successful in music and made a lot of people happy?"---My answer would be listed above.