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| quote: | Originally posted by SYSTEM-J
What would the possible advantage be of sticking an anachronistic thumping trance record in a period action adventure film? It'd be fucking stupid and anachronistic. This is a huge budget, professional film by a big studio. They aren't going to put some tacky Dutch trance record in there to "promote" a sequel to one of the highest grossing films of recent years. |
your right on that, thats true. of course, if they would 'plug' it in to the movie, it would have to fit. but letting a theme track being remixed by 1 of the worlds biggest dj's isnt cheap. next to that, its a powerful tool to promote your movie. they somehow didnt let tiesto remix it for fun. they will use it and market it.
can you remmeber that 007 movie, with a madonna them track and tiesto's mix? if im right, tiesto's mix was played during the opening scene or in the beginning of the movie.
your right on when you say that 'sticking an anachronistic thumping trance record in a period action adventure film' is not by defintion something that fits. but somehow, the authors will use tiesto's mix as a powerful tool ... (damn, i was i could express myself better sometimes in english )
hope your getting my point a bit. if not, flame back  
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| quote: | Quoting Lucien Foort
House was ooit house. Een gevoel, een scene, een stroming die recalcitrant was. Waar je 's middags in Outland Records, Basic Beat, Hotsound of Kareltje netjes op je beurt wachtte om platen te scoren die je in de nacht ging horen. Waar als Roderick & Anne Fleur gingen hockeyen, Jack stoer verklaarde: “Laat er house zijn en housemuziek werd geboren”. Waar ongelovigen toch predikten “God made me funky, and I’m glad He blessed me this way”. |
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