quote:

Originally posted by Neo95gt thanks bro, id kiss you on the lips if i could. sounds like a bomb, better dl the asot. where do you spin at??

ive only been djing for almost a year..ive played a Love,Rebel(Thanks to CORE NYC),and Exit in BK..my biggest gig had to be closing out the main floor at Avalon on thanksgiving eve when Eco,Martin Roth,Eddie Halliwell,and John O'Callaghan played..but the best gig was a few weeks ago when i played at Love in the cave..even tho it was only an hour and change i had the room packed and moving and i got alot alot of compliments on my set..next step for me is learning Reason and Logic to start producing

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New Mix

Gerard Lavelle February 2013 Promo

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Originally posted by gmoney44 ive only been djing for almost a year..ive played a Love,Rebel(Thanks to CORE NYC),and Exit in BK..my biggest gig had to be closing out the main floor at Avalon on thanksgiving eve when Eco,Martin Roth,Eddie Halliwell,and John O'Callaghan played..but the best gig was a few weeks ago when i played at Love in the cave..even tho it was only an hour and change i had the room packed and moving and i got alot alot of compliments on my set..next step for me is learning Reason and Logic to start producing

sick dude. i wish i started djing earlier. I'd love to spin at a club, must be amazing. Instead im stuck in a cube

quote:

Originally posted by AnyMore how does this whole remixing work? ppl make music first then send to their choice of djs and they do remix on it? then they send it back for release? what if the ownder don't like the remix? or can anybody else do a remix on it and send to owner for release??? i donno...

Well, a producer makes a track. Let's take my tune "Light At The End" from last year for example. I send it to labels and a label signed it, just happened to be Martin's new label, Lunatique Records. Martin sayys "Oo I love it!" and puts his thinking-cap on and either goes over his phonebook/rolodex to see which one of his friends in the business would put a good remix in and with a smile on of course, AND/OR contacts someone hot at the moment and has them do a remix. When dealing with relatively mid/big level artists, they usually get paid upfront, as if for a gig or something. Smaller artists get paid % of how many purchases they get.

So yeah, my tune gets sent to John O'Callaghan and Thomas Bronzwaer and they do a remix, probably AFTER signing a deal with the label, considering they're in the upper-tier of producers with a lot of demand. The remix is finished, Martin hopes he likes it (which we did) and we put it all out. I can't say I've ever been part of a project where the label didn't like the remix and thus, didn't release it. However, with small/mid level guys like me, sometimes I give a shot at remixing a big guy's tune once in a while, and if the big guy likes it, it gets added to the remixes, and if not, it gets thrown out (since there's no prior agreement to do the remix, I just went on my own and did it).... That can be played as a "bootleg remix" but not sold. I've been lucky enough not to have a remix of mine thrown out because they didn't like it, and I look forward to keeping that run going!!



Hope that explains it..

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Originally posted by DJ Eco Well, a producer makes a track. Let's take my tune "Light At The End" from last year for example. I send it to labels and a label signed it, just happened to be Martin's new label, Lunatique Records. Martin sayys "Oo I love it!" and puts his thinking-cap on and either goes over his phonebook/rolodex to see which one of his friends in the business would put a good remix in and with a smile on of course, AND/OR contacts someone hot at the moment and has them do a remix. When dealing with relatively mid/big level artists, they usually get paid upfront, as if for a gig or something. Smaller artists get paid % of how many purchases they get. So yeah, my tune gets sent to John O'Callaghan and Thomas Bronzwaer and they do a remix, probably AFTER signing a deal with the label, considering they're in the upper-tier of producers with a lot of demand. The remix is finished, Martin hopes he likes it (which we did) and we put it all out. I can't say I've ever been part of a project where the label didn't like the remix and thus, didn't release it. However, with small/mid level guys like me, sometimes I give a shot at remixing a big guy's tune once in a while, and if the big guy likes it, it gets added to the remixes, and if not, it gets thrown out (since there's no prior agreement to do the remix, I just went on my own and did it).... That can be played as a "bootleg remix" but not sold. I've been lucky enough not to have a remix of mine thrown out because they didn't like it, and I look forward to keeping that run going!! Hope that explains it..

The politics of trance at it's finest.

The bootleg is my speciality as marcello knows lol

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Originally posted by KAZEUS avb on today's asot eps 343 goes "WHO SAYS TRONCE IS DEAD WHEN YOU HEAR SONGS LIKE THIS?? THAT WAS MAJAI REMIXED BY JORN..." he pronounced majai like mayai. hahahah. that was a badass remix of that song. really like that version... well elevation version is just as badass but that was really melow. great song majai

enjoy

Nice video Mark!

But this one is soooooo much better!

ahahahaaaa WHAT THE FACK!!!

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Originally posted by DJ Eco Jorn did a great job, as did Elevation (from what I heard of the preview back a couple months ago)!! As for my remix, here it is:

woah...

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CoreNYC pres:
1/23 Christian Smith @ Sullivan Room

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Originally posted by Frequency Mike woah...

yeah that was a wild party that night in Feb !! We dropped it towards the end of the set and as you can see the people were loving it

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Majai @ Beatport

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Originally posted by DCgirly Nice video Mark! But this one is soooooo much better! ahahahaaaa WHAT THE FACK!!!

omg the kid is such a douchebag. He does the same thing in all his videos. wtf?

Well all the ones I've heard are simply amazing.

Elevations is just amazingly beautiful.

Eco's is one that you'd def want to hear in a high energy set.

Still need to hear Mike Foyles but so far all are good in their own way. My boss loves Elevations mix though. Only cuz walking by my desk during ASOT he though it was a depeche mode song.

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Although you are far away
I know you'll always be
Near to me
Near to me

R.I.P. DarkAngel 12-16-o9