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| quote: | Originally posted by DJ Blitzkrieg
I think this limits you too much to making a mix because your so restricted to 3 keys per song. |
I want to share my advice. You said that harmonic mixing is restricted to 3 keys, but you forgot a lot of other options. When I watch the best harmonic mixing DJs use our software, they use 11 different methods:
Basic mixes
1. Same key: 5A > 5A (results in a perfect mashup)
2. +1: 5A > 6A (smooth mix, one of the 4 basics)
3. -1: 5A > 4A (smooth mix, one of the 4 basics)
4. Same key, different letter: 5A > 5B (minor to major mix, or vice versa. it creates a nice change of melody and sounds great)
Pro DJ mixes
5. +2: 5A > 7A (energy boost mix, makes the crowd dance harder)
6. +7: 5A > 12A (energy boost mix, but with a massive key clash. uplifting but unpleasant to hear)
7. +4: 5A > 9A (what I call the "David Guetta" modulation mix -- doesn't work all the time, but sounds like magic when done right)
8. If your keycode ends in "A", add 3 numbers, change letter: 5A > 8B (a mix that works perfectly with long breakdowns in Trance and chillout music)
9. If your keycode ends in "B", subtract 3, change letter: 8B > 5A (same as #8 above).
Bassline modulation effects
10. +1, change the letter: 5A > 6B (modulation mix that works for a lot of music with a chunky bassline, such as House and Electro)
11. -1, change the letter: 5A > 4B (same as #10 above)
Here is the trick with harmonic mixing: If you know keys of your tracks ahead of time, you will *know* what effect it's going to have on your audience. You can raise the energy, take them on a journey, etc. Harmonic mixing is the ultimate crowd control tool. Which is why Armin Van Buuren, Paul Van Dyk, Sasha, John Digweed and thousands of others use it every time they play. It's a guarantee that you will stay in control of your audience.
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