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Zak McKracken
Trance
Registered: Jun 2003
Location:
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yes it has been discussed millions of times here. try the search.
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Dec-23-2010 19:17
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Rodri Santos
Supreme tranceaddict
Registered: Sep 2009
Location: Milan
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piracy is indeed the whole explanation of Software > Hardware , both have some advantages and disadvantages but free vs X,XXX $ is a really big factor.
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Dec-23-2010 23:02
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derail
Supreme tranceaddict
Registered: Feb 2007
Location: Canberra, Australia
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| quote: | Originally posted by alanzo
Most who have had both consider the NL2 to be more "analog" whereas the NL3 is more digital. |
It would be good to talk in more descriptive terms - all Nord Leads are digital. "Analog" can mean many things - warm, fuzzy, glitchy, temperamental... By saying that one digital synth is more analog than another, leaves it open for someone to say that a softsynth like Massive is more analog than a Nord Lead. That argument would be completely valid, since they're all digital.
I can't see why, if they wanted to, Clavia couldn't just port the code for all their Nord Lead synths into plugin versions and have them sound the same. The only difference would be the synth's output, the audio cable and the sound card's input. In a mix, that wouldn't make much of a difference, I'd imagine.
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Dec-24-2010 01:10
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kitphillips
is actually a guy.
Registered: May 2006
Location: Sydney, Australia
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Ag
| quote: | Originally posted by aNYthing
Lastly. Nearly all of my gear is worth something years later... whereas software is nearly worthless... can you see someone lusting after say... wavelabs plugin 20 years down the road? Do u think your multi thousand sw purchase will be worth anything in 20 years? The reason why sw is popular is because how easy it is to steal it and how cheap it is to produce it. You don't have to spend much on circuit design, prototype build, materials, etc. Time to deploy - much faster and cheaper. |
Yeah, can't imagine most digital synths being worth something years later though. Its all to do with obsolescence, any piece of kit will drop in price if something better comes along, which happens with all gear these days. Your vintage stuff is a different matter though.
Again, its not a HW vs SW issue there, its a digital versus analogue or modern vs vintage at best.
Agree with the rest of your post though, pretty much my feelings too.
___________________
New Mix: March 2010 Promo
Soundcloud|Facebook
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Dec-24-2010 06:51
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cryophonik
Boom shanka

Registered: Jan 2008
Location: Elk Grove, CA USA
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Re: Ag
| quote: | Originally posted by kitphillips
Yeah, can't imagine most digital synths being worth something years later though. |
It depends on the digital synth, though. Try to find a Yamaha DX5 or DX1 (both digital FM synths from the 80s) and you're looking at $1200-$2K for a DX5 and up to $8K for a DX1! Even prices on the FS1R are starting to creep back up to the price that they went for new when they were produced back in 1998. It's obviously hard to say what's going to happen with prices on all the VAs when they become vintage 20 years from now, but some of the discontinued models have already held their resale value pretty well (e.g., 44-voice Supernova II). I think a large part of that is due to the market being flooded by the cheap plastic offerings from Roland, Korg, Novation, etc.
And, of course, all it's going to take is the supersaw becoming retro-cool in 2025 and all of a sudden JP8000s and Virus Bs will be selling on eBay for $2-3K. 
___________________
cryophonik.com | facebook | soundcloud
Sonar Platinum | Ableton Live 9 | Logic Pro X | Access Virus TI2 Keyboard | Kurzweil PC3X | Nord Lead 4R | NI Maschine
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Dec-24-2010 07:36
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