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| quote: | Originally posted by cryophonik
@112268 - how would apply your mathematical approach to non-western music? And, if you're only talking about chords, how does that apply to the topic of this thread (i.e., key changes)?
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thats the whole point. we might miss hidden notes which for example non-western music use, just because our piano has limit itself to 11 keys while there might be other frequencies that match better.
m4b:
my source for the frequencies was here: http://www.contrabass.com/pages/frequency.html
i hope they are wrong so that maybe my calbulations would be more right. I see that you already knew the math behind from your table. Thanks, would save me alot of time lol.
you say that the third major (i called it E, if C is root, because i dont know the terms) is 5/4 which is 25% above root, more exact calculation than mine, and would actually confirm that Major could be more favored than minor (oposite of my beliefs). thanks for the table.
oh and where did I use F? I think in my example i used G as fifth and E as third. the whole point of my calculation was to find which note was the easiest syncable to root major or minor third, but with your table it is already clear lol. i guess the freq-table i found wasnt exact enough.
but sure as hell i was onto something. 
maybe the piano is designed by math after all? lol wouldnt surprice me. if so ill grab my coat lol.
Last edited by 112268 on Mar-09-2011 at 19:42
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