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Energy_3
Supreme tranceaddict

Registered: May 2008
Location: Adelaide - Earth
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| quote: | Originally posted by future_newbie
I understand your advice on being creative trying to avoid a formula, but sincerely...how could I break the rules if I don't even know them.
At the stage I am, would be happy if I could simply finish a track!
I've tried to replicate some breaks, but mine were somehow souless and cold. That's why I asked for the common filters and fx used in breaks. Most of the times it doesn't seem simply a rising cutoff filter. And I guess a key role could play a melody of 3 or more chords?
Regarding the build-up, I am really at 0.
1/16 + volume automation? Is it just that? And what instrument should I use?
As you see I really miss the basics. These things are probably a joke for many of you.
And specials thanks to DjRyan for his great practical advices. That's what I need. |
Approach with a plan in mind, keep it simple to avoid complications. So many bars for an intro, then into a break down or no, or continue with incremental changes. Your possibilities are endless. Map it out, create a lead sound, riff etc, loop it over run it for so many bars, bring something else in. And, away you go!
___________________
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Nov-01-2011 11:58
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SYSTEM-J
IDKFA.

Registered: Sep 2003
Location: Manchester
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Nov-01-2011 16:12
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SYSTEM-J
IDKFA.

Registered: Sep 2003
Location: Manchester
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Nov-01-2011 18:25
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Kysora
Supreme tranceaddict

Registered: Aug 2009
Location: Hampshire, IL
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| quote: | Originally posted by SYSTEM-J
No, but I'm free to give my own opinion on what makes interesting and involving music. I think your objections have more to do with me criticising something you like than anything else. |
You're touting your opinions more like they're facts, instead of what they are: subjective, biased and not relevant to everyone.
The best part is, you don't even realize it. If you do I can't imagine why you'd ask this:
| quote: | Originally posted by SYSTEM-J
How the fuck can you sarcastically say "Only copy the producers SYSTEM-J likes"? |
for starters:
| quote: | Originally posted by SYSTEM-J
By all means, copy the shit out of people, but don't copy the shit out of formulaic, predictable, inane records under some mistaken assumption that you're thereby following the rules. |
What you consider formulaic, predictable and inane is not the same for everyone else, which more or less makes your "advice" completely useless.
You also weren't being very general, you clearly made it seem like uplifting-style breakdowns (which I'll go ahead and assume you hate, which further explains why beatflux said what he said) are a bad idea unless they're rhythmless or don't introduce a main melody, despite those two things being defining characteristics of the genre.
It's really just the way you go about presenting your opinions in a way that makes them seem like they're more than that. They aren't.
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Nov-01-2011 20:31
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PlasticSoul
I know you love me too.

Registered: Aug 2003
Location: Brasília - DF
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Re: break / build-up
| quote: | Originally posted by future_newbie
This is the hardest part in the process for me. Making a strong, interesting and involving breakdown/build-up.
My gaps are mainly "structural". I simply don't know how to make a build-up, what source should I use, which effects should I apply, how to start off the breakdown, with what, which filters are commonly used?
I tried to make a build-up with some percussions and hats, but it sounded awful/delusional...
Tried to construct a breakdown, but I ended up with something scordino and not consequential.
Help me to start from somewhere please. Anything would be helpful: tuts, own productions, suggestions etc...
How do you deal with it? What is your way of doing it? Please share it here! |
Read this:
http://www.musicradar.com/futuremus...le-today-246545
It will help you, for sure. You can find it on google...
Good luck and dont be lazy to read it all.
___________________
Soundcloud: Anthony Aquino
Twitter
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Nov-01-2011 20:49
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