|
| quote: | Originally posted by joeh152
Yes, i did 
However, i would have only foud it benificial if:
A) i owned technics
B) i wanted to increase their pitch range
I belive this thread was for ideas about how he could have achived high pitch for cream in ibiza.
Would he really take his own, modified technics? If not, then would he start taking apart their technics to modify them, when the club was full of people??
I was just putting forward a theory that someone else suggested, that maybe the decks were capable of this speed as standard. Ekstasis said that no decks could achive such high speeds, so I listed decks that, in fact could, but maybe he knows more about these decks than the people who make them??? |
ive done it at a club....once you know how its quick as fuck to do. mix in your first tune then do the empty deck. do second tune and do the remaining deck.....just be quick!!!!
used to go to 'the orbit' in leeds and seen many a dj do it ...pvd....marco zaffarano.....germans mainly hehe
he mabye asked for them to be sorted like it b4 he went on
the quote about pitch-shiters earlier on is fundamentally daft ..that kind of pitch shifter would make the record sound higher pitched but would not change the speed
___________________
http://www.djiancashman.co.uk
My Next DJ Dates
March 12th 2005 - Becomeone @ (Sub) Logic, London (w/ Oliver Leighs, Simon Rutherford)
April 7th 2005 - Existence @ The Met Lounge,Peterborough (w/ JFK and Liam Bamford)
April 9th Wildchild @ The Empire, Milton Keynes (late minute replacement for Brisky)
April 16th 2005 - Serious @ The Cross (w/ Jonnie Pickering, Simon Patterson and Judge Jules)
May 5th 2005 - Existence @ The Met Lounge,Peterborough (w/ Riley and Durrant, Liam Bamford)
October 15th 2005 - Serious @ The Cross (w/ Simon Patterson, John O'Callahan, and Judge Jules)
|