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TranceAddict Forums > Main Forums > Music Discussion > Tiesto - In Search Of Sunrise 5 [Los Angeles | April 2006]
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ncgroov808
Senior tranceaddict



Registered: Dec 2004
Location: Charlotte, United States

Well, the beatmatches are in time on those first few songs, but the transitions are amatuerish...If I can notice them, they're not that good. One person on his website forum noted that it could be due to using cd's and/or Ableton-type software in which you just have to lock the beat in time and "let it ride." The mixes are definitely not trainwrecks, but they should be smoother by a professional dj. I am a big fan of Tiesto, but I am wondering if he still has it or if possibly his hearing may be starting to go.

This is exactly what the Tiesto forum member member Dj_RVK wrote (note that he is one of Tiesto's biggest fans and has seen him live hundreds of times throughoout the world:

At point 06.39 and 06.51 in the mp3 there is places where Celine changes beat pattern. At these points Tijs could've introduced LNA. Instead what happens is at 07.15 already the fade-out at the end of Celine is happening. The beat from Celine is completely gone @ 07.21. But LNA only starts from 07.24. It should've been running for a period of time in Celine. And especially in a period of time during the fade out (07.15-07.21). The result is a seriously late bad mix. The fade and beat are already gone - leaving a bar of empty beats until 07.24 when LNA begins.

This mistake doesnt normally occur in seamless mixing from professional DJs.


Coming out of LNA into EP... the intro of EP is sitting underneath LNA for ages @ 13.00 - 13.30... it seems like Tijs has it under control to fade it out at the last vocal 'broooookeeeen' ending @ 13.22...
It would be how he would mix it out in a club... the EP beat starts @ 13.22...
This time the cuepoints are aligned properly. However... at 13.22 - 13.30 we can clearly hear the fade out of LNA as Tijs tries to drop the volume of that channel. It should have already been killed @ 13.22. Another amatuer error not usually found in Tijs' mixing!



Let Me Be vs. Novocaine... not such a good idea for those who like Let Me be. As the tune is completely killed so the vocal can sit over the top of Novocaine. My biggest problem with this transition is that the beats & vocals are running on a different bar. This again, is the mistake of an amateur.

the bar structure should be the same.... 4/4.... ie. 1 2 3 4 5 6 7 8 in Let me Be (even though we can't hear it) should be occuring at the same time as Novocaine 1 2 3 4 5 6 7 8

Instead while Let me Be is running 1 2 3 4 5 6 7 8
Kalafut & Fygle - Novocaine is 2 3 4 5 6 7 8 1
(for example).

Therefore the natural end of the bar is not aligned in the mix... causing a clash in the patterns and from a listeners point of view, an awkward mix to listen to.



Check the mix from Karen Overton -> Parker & Hanson... here both tunes are in the mix for roughly 30 seconds. They are aligned. They are beatmatched... and the melodies blend & fuse together in a seamless mix. Its what ALL the mixes should sound like.

Sadly the order of these great tracks means not all of them are up to this standard. Because a lot of the mixes (read tune 2 to 3 to 4) have to be forced, because the two tunes don't naturally go together.

Its one of the reasons i am a big Tiesto fan - that he can 10 times out of 10 select a tune that naturally goes with the one before it. On this CD it rarely happens. Thats computer & CD mixing for you. There is no longer a beauty in mixing seamlessly. Only an obsession to beatmatch and let it go. It doesnt mean that the mixing is going to be great. It just means you won't hear a trainwreck. It certainly doesnt mean that there is going to be a seamless mix. As ISOS5 proves. Using computer software you can beatmatch at the click of the button. But it doesnt mean the melodies are going to be sounding too great when they're overlapping."

A little too technical for some people who just want to hear the music, but as I said, even I noticed these errors, though I could not explain it as well as respected Tiesto fan RVK. And the mix into Your Loving Arms as well as into the track after it are perfect.

Old Post Apr-07-2006 23:24  United States
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Stunade
Supreme tranceaddict



Registered: Nov 2005
Location: Svetlana Sforza

A little too technical for some people who just want to hear the music.....

This guy knows his stuff! I'm extraordinarily impressed, because he didn't just come out and scream TIJS SUCKS EWW WTFBBQ!!!$#@ I love the explanation, understand it completely, and am now tempted to listen and see if I can pick those out! Thank you RvK for your reasoning, rationale and logic.


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Old Post Apr-07-2006 23:30  Italy
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isoterra
hi



Registered: Sep 2003
Location: Nottingham, UK

quote:
Originally posted by Stunade
THANK YOU also thank you for backing me up on the smoothness can be "boring" in a way 1 thing though...I'm NOT a guy!


lol.. don't think i said you were

and i think dj_rvk is actually michaelboogerd! on here, who i replied to with that post so he obviously knows what he's on about. i dj too so know about timing/phrasematching issues but at the same time disagree with the implication that a mix can't sound decent unless it's completely phrasematched & cued in the most obvious place

i'll have to listen back to those he mentioned though

Old Post Apr-08-2006 00:02 
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Abhay
banned user



Registered: May 2004
Location: mould coast

There is no real set rule on how a transition should be.

It just has to sound good.

Old Post Apr-08-2006 07:00 
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Abhay
banned user



Registered: May 2004
Location: mould coast

There is no real set rule on how a transition should be.

It just has to sound good.

Old Post Apr-08-2006 07:00 
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ncgroov808
Senior tranceaddict



Registered: Dec 2004
Location: Charlotte, United States

It's kind of weird though, I have seen Tiesto live about 10 times and contrary to what most people say, his mixing is 95% of the time on spot. Most of the things you here about him trainwrecking live is just heresay. Just dl any of his live sets and you can hear that for yourself. It's odd that with a studio release that the mixes are not perfect or even close to what he would do in a club. Also ironic that for the most part, after the 20min mark of cd 1 and all of cd 2 the mixing is way better than the first few tracks.

Old Post Apr-08-2006 14:56  United States
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Blue.
Enjoy the silence



Registered: Apr 2001
Location: Mississauga

I've hated Tiesto for years and disliked most trance for a little while now but disc 2 is constantly on repeat in my house now. I was very pleasantly surprised by the compilation.


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Old Post Apr-08-2006 16:30 
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ncgroov808
Senior tranceaddict



Registered: Dec 2004
Location: Charlotte, United States

Yes, disc 2 good for sure. It is very reminiscent of old trance/prog house like Sasha and Digweed's NE. Don't assume that I'm saying it's as good, bc it's not, but it still seems to take me back to that age. And he shows he can actually mix when we wants to on that disc.

Old Post Apr-08-2006 16:40  United States
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Massive
bollocks



Registered: Jul 2001
Location: Hammersmith Bugle

quote:
Originally posted by ncgroov808
It is very reminiscent of old trance/prog house like Sasha and Digweed's NE.


Are you sure you know what you're talking about?
This ISOS5 cd is one big piece of excrement compared to Sasha & Digweed's N.E.

Old Post Apr-08-2006 16:43  Netherlands
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_ Andy _
Frankie Fan



Registered: Oct 2002
Location: Toulouse - FRANCE

This isos 5 it's a joke. Proghouse sounds isn't melodic and emotional as isos's tracks style.

For me it's not an isos, melodic and emotional tracks are so few.


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Old Post Apr-08-2006 16:46  Suriname
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MichaelBoogerd!
Lost Treasures



Registered: May 2003
Location: Bratislava

quote:
Originally posted by isoterra
lol.. don't think i said you were

and i think dj_rvk is actually michaelboogerd! on here, who i replied to with that post so he obviously knows what he's on about. i dj too so know about timing/phrasematching issues but at the same time disagree with the implication that a mix can't sound decent unless it's completely phrasematched & cued in the most obvious place

i'll have to listen back to those he mentioned though



*waves*

Isoterra - your first post that i quoted - was a bit of fun. I know you weren't just sitting there typing because Tiesto doesnt mix well is why you like him

I actually like his risky mixing too. It sometimes really adds to the flow & if you re-read the pio vs. ishkur thread.. at times i tried to stick up for Pio's side of the issue (as i agreed!).

My post on tiesto.com that was quoted here by NCGroove... is just the points on disc 1 where i really think Tijs didn't put effort into this CD. Also.. I was asked to provide (by exact time) the precise locations of my distaste. Hence the post that got quoted here.

You DO have to look at it technically. But when i pick up an ISOS CD i expect there to be no audible errors. The whole concept is based on the fact that the sun is rising, there is mellow, tranquil period... that is supposed to be captured in the music on the 2 discs.

How can this concept be achieved if Tiesto doesn't pay attention to the mixing?

His ballsy mixing live (different or earlier cue points to other established DJs) and tune selection are the reason why i am still his fan despite all the reasons not to be right now. Sadly, these skills just don't get reflected enough in this release.

I would love to be the "pio" of this thread actually saying i enjoyed the CD. Because the tunes there are damn fine. Really GOOD tunes. Problem is i just can't even get into it at all. I'd rather get the mp3 when they're released and have a go myself.




2 NCGroove - why do the first 4 tunes seem so bad...
I think its clear that in a liveset or in a different dimension perhaps? These tunes would NEVER EVER be put back2back like this. He even had some other tunes that could've been used (sorry no names - but just look at the tracklists from recent events) that he could've used to provide cd 1 with a much better introduction.

A secondary concept seems to have been used whereby all CD 1 had to be vocals (another tune was sent back to the producer and in the end not used simply because it was an instrumental track) - this secondary concept completely kills all sorts of flow on disc 1.

When you consider the Dekay tracks to the end of CD 1 - its not 'that' bad... so why the first 4? Seems like Tiesto wanted to include them but just didn't have anywhere else to put them.. making for 3 very perculiar and out-of-sorts transitions that mess up the whole release.


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Last edited by MichaelBoogerd! on Apr-08-2006 at 19:31

Old Post Apr-08-2006 16:53  Slovakia
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ncgroov808
Senior tranceaddict



Registered: Dec 2004
Location: Charlotte, United States

First, I wasn't "comparing" disc 2 to NE. It just reminded me of it to a certain extent. Believe me I know NE is 1000x better than almost anything Tiesto has ever done including ISOS 5 disc 2. For some reason it reminded me of it though.

I agree that Tijs probably didn't know where to put those tracks and they don't naturally gel, hence the mixes being forced. With ISOS 4 and 5 there seems to be a lot of this. There are a lot dj's who make "late" mixes and they still pass (check G&D "Bloom"), but it is just not right for ISOS. I still feel both volumes should have been refined into 1 disc. I really believe that the high standards of ISOS were set in the first three volumes when Tiesto was in his prime. With ISOS he shows he can still put great tracks on a cd, but the subpar mixing is making me wonder if he still has "IT". I know these tracks will blow the roof off of some clubs this summer and I hope to hear it. I just hope he can mix even a little better than whats's found on disc 1.

Old Post Apr-08-2006 23:37  United States
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