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Basstard
smoke me a kipper...

Registered: Nov 2004
Location: Belfast
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| quote: | Originally posted by warmregards
I can't mix very well, because I got my first setup only a week ago (2-cdj200, 1-djm707). HOwever, I can beatmatch very well and I can mix on the fly unembarassingly with my limited knowledge of DJing with only the xfader, ch faders, and bass eq's. For myself, for my friends, and for the hometown I think I can put together a set that is enjoyable with good energy. I expect to improve very quickly into some of the things Ive read about such as better EQ control and phasing, but until then, are you suggesting that people like me shouldn't play out? |
no not at all! infact i encourage people like yourself to get out there and learn some. im talking about the "wedding DJs" type of guys who play pop, classics, r'n'b and some commercial dance. i hear them trying to mix when they have absolutly no idea what they are doing. they make no effort at all to beatmatch the songs because they rarely adjust the pitch. they just throw the incoming track in at full volume over the outgoing witch is still at full volume. then they leave them playin over together for like 10-20 seconds all the while tryin to pose up at the booth as if they're doing somethin cool.
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Aug-18-2005 10:54
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alligator
Supreme tranceaddict
Registered: Oct 2004
Location: vancouver
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| quote: | Originally posted by Scottaculous
Well if you want to be smartass about it, tones aren't reflected when it's typed.
I don't really see your point because your statements either gross generalizations or assumptions.
"we both know that a dj booth is not that big" -- Not all booths are small. Club Space in Miami has nice sitting area beside the DJ area. It just so happens, the main edm club in Atlanta, Eleven50, can have a large DJ booth of the promoter's choosing.
Your whole point of blinding a DJ while in the booth with photography is really moot because almost all shots from within the booth are from behind and the side of a DJ's vision. The real blinders are flashes from the front, outside of the booth. Regardless, no one likes a flash in their eye, it is their job as a professional DJ to ignore it the best they can and continue.
To your point, no a photographer does nothing to help a DJ set but those angled shots aren't for the DJ in the first place. Those shots used by the promoter, DJ management, the club and various published and online magazines. So you see how important it is for her to be in the booth doing her job. |
i was not attacking you, i was merely mentioning that my thing was half serious half sarcastic...
yes big clubs have big booths, but let's face it this thread is about the up and coming djs, and mostly the people on this forum...therefore by the time we get to play in a big booth like that (if we ever reach that status or get that good) it will be a while...
most of the clubs have a decent size booth, and there is not much space in them, therefore having a photographer hang in there in order to see if he/she can take that spectacular shot is not something i see necesarry...
anyhow i've seen cameras that you can ajust from distance and zoom nice and close so you don't have to be in the dj's face...the pictures still come up...
and yes if the photographer is good and knows what he's doing most likely he will slip in and out un-noticed by the dj...
as far as for a promoter goes, they want more pictures to show what kind of a crowd and the numbers they brought out...for a close up w/ the dj it can be done after the set or before without making that big of a difference...
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Aug-18-2005 22:10
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