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Electronic music (and let's exclude hip-hop, because it is such a large, self-contained genre hardly anyone remembers its roots anymore) isn't marketable. There are too few stars, too few frontmen, too few personalities, too few performances, too few of the things you can market music on to a mass audience. Lord knows they tried. There are a few genuinely marketable acts out there- dance acts who have personalities and do put on proper shows- but nowhere near enough to make the whole umbrella of music and culture to work.
Europe doesn't work like that. It's smaller, much more densely populated and driven much less by marketing and advertising (Generalisation? The biggest culture shock I got when I visited the US was the sheer volume of advertising flung at you constantly, and I've been about in Europe for a comparison). Culture can genuinely break out of being a niche, a scene and a minority by word of mouth and by the actions of the people in Europe.
Rave and subsequently club culture was introduced to the UK by a handful of DJs and became a massive youth movement when big labels were still trying to ban acid house records for drug-referencing lyrics. Dance music was all over the charts (and you can check chart records to see just how saturated the pop charts were) without most mainstream radio stations even playing it. That couldn't happen in the US because the distances are too great, the people too spread out and the big companies too dominant over what sells. However, in the UK dance music is firmly dug in and it's still an integral part of youth culture.
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Mixes:
> Maximum Elevation [Progressive House]
> DI.FM 26th Anniversary Guest Mix [Progressive House]
> Live @ Dance:Love:Hub London, 11.10.2025
> Higher Peaks [Progressive House]
> Dance:Love:Hub Afterparty (The Return) 23.11.24
Like these sets? Come see me play live at Kibosh in Manchester: https://www.instagram.com/kibosh.mcr/
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