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| quote: | | I'd be interested to know how much this actually is. I somehow doubt it's as much as Tiesto or PvD would make on a night. |
The ASCAP fee is figured as a percentage (IDK what the current rate is) or the projected profits for each venue, i.e how many people are coming in and how many drinks are being sold. So large venues like Pacha NYC will have to pay a much higher yearly fee than some small club in Hickory, NC that barely fits 50 people.
The thing that irks me about the ASCAP, however, is the fact that all of those fees are being distributed only amonst the artists that ASCAP represents, which are artists signed onto a BMI label. It sucks that our clubs have to pay the BMI artists when the DJs are playing tunes from artists that are not on BMI (in other words I play a lot of Masters At Work tracks, but Kenny Dope and Louie Vega aren't going to see a penny from ASCAP, while Justin Timberlake gets all of the money that they earned)
Yes, the big-name DJs are getting paid quite a bit of money to play other peoples tunes, but I think that the artists don't mind since they're getting a lot of good promotion from having their tunes canned. How many of you have seen records at your vinyl shop advertising "DJ-so-and-so played this track!"
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Overload (House/J-Pop/K-Pop): Click
No Pants Dance (Funky House/Electro House/K-Pop): Click
Dark Beach (Deep House): Click
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