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PETRAN
Like Antennas To Heaven

Registered: Feb 2004
Location: Volos, Greece
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| quote: | Originally posted by creon444
I disagree. I think there is an observable difference in quality between today's trance and it's early incarnations. Producing music in general was a much more tedious job, a task that only a chosen few knew how to handle. Today anyone with an internet connection can set up their own label thanks to the advances in the music production technology. More crap is produced nowadays because there are more poeple with the means to produce said crap. Back in the day, you just didn't have the kind of software that, among onther things, is relatively easy to work with... so that even talentless pricks can release their rubbish (check out this opus magnum: http://tranceaddict.com/forums/show...6897&forumid=11) I quit listening to trance not because I got bored of it but because it has become progressively harder for me to find decent music in this genre. And I'm just not motivated enought to be willing to search for that elusive gem in a sea of sh*t. |
I also though that the hardware/software approaches could make a difference but i don't think much of it these days. So, you just post one link of some random piss-taker but this says nothing. I guess that there were many more similar "wannabe producers" in the 90s that released some extremely shit music, but thank god, due to the internet's absence that shit would just feedback to the wannabe piss-taker's ears. The only difference back then was the restraints in the availability of information. You could listen to tracks only if they were signed. Today you can listen to any track, because any one can upload it somewhere in the net. But there was still MUCH garbage even among the signed tracks, you can be sure about that. You just listen to some of the 90s "hits" and "better tracks" today and these tracks are usually good. There were hordes of shit tracks though!
You and many others strive to find "good trance tracks" today because you are sick of the sound. If you were acoustically "virgin" to the sound, chances were that most super-saw racks, regardless of the melody or the sounds used, would give you eargasms. And this seems to be the case as the countless young fans of Armin and co. prove. You just hapenned to be one of them (if you were an epic-trance fan)in the past, but you are not one of them now. Because your taste matured (whatever that means).
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Jan-07-2009 03:01
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PETRAN
Like Antennas To Heaven

Registered: Feb 2004
Location: Volos, Greece
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| quote: | Originally posted by creon444
But you could easily tell a trance track produced in the early to mid '90s from one produced in the 2000s when presentend with such a choice, which would suggest there IS a considerable difference between the two kinds of sound. The entire atmosphere was different. Trance music used to be more primitive, more repetitive, more trance inducing and truer to it's name in general. The supersaws weren't even around before the Corsten era. Or were they? |
They weren't but trance was always about the melodic riffs, the arpeggios and the gated strings mate. Not super-saws but saw riffs or whatever. The fact that there is a difference says nothing in terms of quality other than the fact that for some reason or the other you prefer the early-90s sound. Quality is a very vague and subjective term. One Music nerd (like...me!) could say that early 90s trance had some "pioneering" ideas and hence has the highest quality by default, by any trance that followed. But then again if you don't include the idea of "novelty of sound", early 90s trance was very poor musically.
And anyway, trance was actually "trance" (the hypnotic repeatetive sound) only during its elder German days. For the most part, trance was always about the melodies and hence was more commercial. Even Jam and Spoon and Paul Van Dyk in 93 were demonstrating a more melodic, theme-driven commercial sound.
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Jan-07-2009 03:09
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