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DJ RANN
Supreme tranceaddict
Registered: May 2001
Location: Hollywood....
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| quote: | Originally posted by DigiNut
Please, no more misinformation on this. You can tell yourself whatever you want, but any differences you're hearing working in 192 kHz are more likely than not due to aliasing distortion on the down-conversion and weird compatibility artifacts. |
Oh yeah, and that's EXACTLY why I used the term PERCEIVED quality (even with a ).
But no, you're actually incorrect when it comes to recording as I mentioned.
If you record (say a vocal or violin) with a great mic (i.e. u49), a pristine signal path in to class A converters, at 192k, then playback through excellent studio monitors in a pro environment I guarantee you need your ears checked if you don't hear the perceived improvement in quality over the exact same setup but done at 44.1. There's no up down conversion going on, until you take it another destination format.
192k, for making schranz in your bedroom, it does nothing but fill up your hard drive nice and quick.
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Jun-09-2009 02:31
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MrJiveBoJingles
Supreme tranceaddict

Registered: Jun 2004
Location: U.S.
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Jun-09-2009 04:17
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ponsshin
Trance free since 2007

Registered: May 2007
Location: London, UK
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Jun-09-2009 05:38
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derail
Supreme tranceaddict
Registered: Feb 2007
Location: Canberra, Australia
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| quote: | Originally posted by ponsshin
I give up on this endless debate. I'd rather make music than study signal processing. Fun stuff vs. Boring shit I choose the fun stuff. If I design a cool sound at 44.1khz I'm not gonna bother about going up,
You guys keep showing off to each other on who knows better than the other one, I'm off to make music, you guys keep talking about it. |
Well, it is important not to spread misinformation, such as "the 20Khz waveform sounds better if it is sampled ten times rather than twice". Yes, it makes sense if you think in picture terms, or if you compare it to animation, but sound doesn't work that way - if you raise the samplerate (or "keep adding slices") it'll allow you to produce higher and higher frequencies, but won't make the lower frequencies sound better because they're represented in "higher definition".
Look, I'll admit I don't know why this is, because it does seem counter-intuitive. The problem with audio is that we use written words and diagrams to try and represent it - waveforms the way they're drawn on paper are just representations, they're totally not indicative of how the sound waves behave in reality. There's no up-down to sound, just the speaker cone pushing and pulling air.
But yes, I agree, the vast majority of us would be much better served working on our music than worrying about 192kHz samplerates.
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Jun-09-2009 06:35
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Domesticated
Supreme tranceaddict
Registered: Feb 2007
Location:
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| quote: | Originally posted by derail
Well, it is important not to spread misinformation, such as "the 20Khz waveform sounds better if it is sampled ten times rather than twice". Yes, it makes sense if you think in picture terms, or if you compare it to animation, but sound doesn't work that way - if you raise the samplerate (or "keep adding slices") it'll allow you to produce higher and higher frequencies, but won't make the lower frequencies sound better because they're represented in "higher definition".
Look, I'll admit I don't know why this is, because it does seem counter-intuitive. The problem with audio is that we use written words and diagrams to try and represent it - waveforms the way they're drawn on paper are just representations, they're totally not indicative of how the sound waves behave in reality. There's no up-down to sound, just the speaker cone pushing and pulling air.
But yes, I agree, the vast majority of us would be much better served working on our music than worrying about 192kHz samplerates. |
What are you talking about? A waveform is a perfectly good way of representing audio. The 'up-down' you speak of is the pressure variations experienced in the air and thus such a diagram is a direct representation of the sound's physical form.
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Jun-09-2009 06:43
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