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| quote: | Originally posted by shane_w1
I don't have to get into a childish debate here...I discuss alot of things on about 3-4 forums and that's not a reply I would deem helpful to many Producers, we're here to help Producers not criticize and clearly that's not an attitude id like to come across in EDM.
I totally agree with working on the material/equipment you got but im saying don't be afraid to use Presets, I sound-sculpt alot of sounds myself and sometimes I start from scratch or sometimes I use a Preset to understand the process and none of those are the types of Presets used for a Britney Spears type-track but keep making your "Acid jazz" and im sure many other Producers will use there techniques on other Projects.
I've been Producing since 2006 and that may be shorter or longer a duration than others but that's more than adequate for me at this time....I talk to alot of Tutors and reputable Producers and I have intelligent conversations with them, none end up with "you don't know what your talking about kid" |
OK. This I have no problem with. Congrats on making a very mature reply to (what I'm happt to admit was) an inflammatory post. There's nothing wrong with using presets if they're available, but there's something very wrong with choosing a synth (or rubbishing synths) based solely on the genre of their presets FFS.
| quote: | Originally posted by shane_w1
For the questions though: Im studying Electrical Engineering at BSc level and don't have many problems at the moment in the field...where I mean 4 different wavelengths, im talking Square waves, Sine waves and Saw waves into 1 channeled complete sound...you can literally create bigger sounds on Sylenth than with Rob Papen Predator and if you think you can create 1 sound on Rob Papen Predator aswell as on Sylenth then that's obsurd, create a Preset on Sylenth, piece of p*ss...create a Preset on Korg M1 and you'll be there for hours...or maybe not with your "Acid lead"
A cut-off frequency is where the sole power of the sound or it's source (energy) can be reduced eg by filtering but of course I googled that right?I don't experiment or see for myself...it's a fairly basic terminology but I understand, I might be "new" to this site so I can understand the scrutiny and patronizing comment for every detail.
The arpegiating layout, by that I mean Sylenth has the option on the Interface for 7 steps where as Rob Papen Predator has 16 which can be altered but also there is no "Swing" mode on Sylenth which means Papen Predator is more geared for Swing orientated Genres like House justifying my opinions wholly. |
See this I do have a problem with. You're talking about square waves and sine waves being wavelenths. Any student who had studied physics at a high school level would know that these aren't wavelengths. They're waveforms. Completey different and a very good way of making yourself look stupid.
You can crate a sound as well on predator as on sylenth, and you're further proving your ignorance by claiming otherwise. More oscillators do not a better synth make.
You also have no idea what you're referring to with filters. A filter doesn't filter "energy" or some rubbish. It removes higher partials from the waveform.
House isn't a swing oriented genre, more ignorance. Lots of genres use swing, and you don't really seem to understand arpegiation.
Honestly, I've studied physics in the first year of my science degree and I was in there with a lot of engineering students. Shit like filters and waveforms is basic physics 101, so I'm going to guess that IF you are actually an engineering student (which would make you a student in an E.E., Ch.E., C.E.,, Env.E., I.E., Mech.E., Nucl.E., Sys.E, or B. Eng degree, but never a student in a B.Sc degree afaik) you're a very bad one.
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