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TranceAddict Forums > DJing / Production / Promotion > Production Studio > Izotope "Mastering with Ozone" updated
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Looney4Clooney
Supreme tranceaddict



Registered: Apr 2010
Location:

quote:
Originally posted by Allied Nations
ive been djing 4 times a month++ for the last 6-8 years and am doing more and more international gigs so I think I have a right to add to the this thread-



putting dj mixes through ozone = good idea
putting all of the music you play through ozone = ridiculous



remastering is quite an art and unless you are really good and know exactly what the "problems" are you are wasting your time


but this is done for mixes after the live part. Any dj will tell you that live sounds better with more dynamics. The systems can handle the dynamic range. Hyper compressed music workds great for shitty systems but if you ever play on a proper system, you will notice this right away.

IF you were to play the mastered mix as the live mix compared to original, you will notice the change in quality right away.


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Old Post Mar-03-2013 01:09 
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Raphie
Mastering Engineer



Registered: Jun 2008
Location: Lelystad, Netherlands

The loudest tacks will ALLWAYS suffer, your mixes will sound shit, like the DJ EROS podcasts. Really putting a limiter on a compilation of finsished tracks is the worst thing you can do, especially in the progressive genres where the avg RMS is already around -6rms, are you guys DEF or what?!?


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Old Post Mar-03-2013 07:49  Netherlands
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TranceAddict Forums > DJing / Production / Promotion > Production Studio > Izotope "Mastering with Ozone" updated
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