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i completely agree too with waxhead, on the story of whats rare, that that specific track doesnt have to be good. that's why i made thread that was a bit more spcific, called 'what is-are the most sought after record(s)?' (thread located HERE thrad is kinda old now, no more replies since a couple of months. next to that, rarities differ from time to time, because tasts change sometimes, and music changes.
i have heard/know stories of a lot records that arent on discogs, but which are pretty rare. some of em are named in this thread, on the first 20 pages i think. that are replies from 2 or 3 years ago, and still those records arent on discogs. as i wasnt into trance/edm-music in that part of my live so much, i dont know most records, but when you look at the replies on those suggestions of rarities, they are pretty rare sometimes (for some people at least). and after a check on discogs i couldnt find them, so i guess they're maybe more rare then something on discogs indeed, again agreeing ith waxhead
what is an acetate anyway? i know of one record, that is pretty 'rare' (only 1 on discogs has it), and wanted (23 want it) .. => http://www.discogs.com/release/294879
an acetate on hooj choons ... but what is an acetate?
again waxhead has another point. whats a collector's item is in the eye of the beholder
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| quote: | Quoting Lucien Foort
House was ooit house. Een gevoel, een scene, een stroming die recalcitrant was. Waar je 's middags in Outland Records, Basic Beat, Hotsound of Kareltje netjes op je beurt wachtte om platen te scoren die je in de nacht ging horen. Waar als Roderick & Anne Fleur gingen hockeyen, Jack stoer verklaarde: “Laat er house zijn en housemuziek werd geboren”. Waar ongelovigen toch predikten “God made me funky, and I’m glad He blessed me this way”. |
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