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| quote: | | Could you answer this for me? |
Hardly an expert Sarah...hehe....but I do think...as you may attest to in terms of the techno realm....that too many people blindly heap judgement or draw rash conclusions on diverse and richly-emotional music while only exploring it through the spance of a proverbial key-hole.
To TRY to answer your question...and I'm not sure if i will succeed...Progressive, (if you want to speak of it in the specific genre sense) to characterize it bluntly, is a fairly formless blend of Trance, house, techo and sometimes breaks. I say formless, because by-and-large the best Prog offerings utilize hybrid programming approaches, melody and key structures, samples and new ideas on synthesizing that MOSTLY tries to avoid duplication and blends seemingly unharmonious ideas together thus preventing it becoming formulaic. Yes, indeed, there is Prog out there now that has become predictable and stale, and on the polar end, overly experimental and pretentious for it's own sake....and to that I grant no defense...but the kind that moves me, and this is fairly, a personal reflection, always offers surprise and intrigue in terms of its foundation, layers and inter-woven emotion.
Basically, It's characterization lies in layering and subtletly. That's not to say it cannot be monstrous and pounding and rampant with energy....just that it attempts to accomplish those goals in different and hopefully unique ways. Where Trance relies on the mostly cookie-cutter concepts of a simple massive synth build, predictable baseline and similar melodies, Prog and GOOD Trance, find new ways to evoke energy, emotion and rhythm by intertwining many more sub-melodies, percussion patterns, and harmonizing effects.....agian, the soul (for me) of Prog is in the layering.
To be analogous of my perception of people who say ALL Prog is boring or ALL techno is uniform or too minimal is like reading a Stephen King novel and saying ALL fiction is scary and unrealistic.
I hope that atleast attempts to answer your question Sarah

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