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GuySmiley
tranceaddict in training
Registered: Jan 2006
Location: Toronto, Canada
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<<"De-lurk">>
‘spose it really was only a matter of time before this issue came to fruition. So, is Tiesto the worst or best thing that has happened to trance? Someplace in between? Or not even to be considered as trance?
Of course, the answer depends on your definition. Your definition of trance, your definition of a DJ, and your definition of success. There is absolutely no denying that the big name DJ’s have had a profound and lasting impact on the EDM scene- Tiesto, Armin, Oaky (and the other top 40 jocks on the DJ List) all have helped bring electronic music to the mainstream. The question is whether this is a good thing! In my view, it is. Absolutely, it is. I could probably reference almost any musical genre to draw comparisons, but rock is probably the best example. Rock and Roll got it’s “start” at grass-roots level largely in black communities. An extension of R&B, jazz, blues and a selective adoption of several other genres (including the Irish Jig) – the first explosions on the scene being pioneers like Berry and Diddly. Anything with a guitar, bass, drums and sax was thrown in to this new category- and this became the recipe to satiate the white market. Presley used the traditional, catchy and tried tricks of rock to become a sensation. Brit rock took it overseas and added its own spice. Eventually the recipe became a systemic formula with the birth of Boy/Girl bands and the creation of pop music. Today, rock is a vast genre spanning everything from death metal to adult contemporary. But, take a look at Billboard’s top 10 and the ONLY rock artist is Nicklback.
IMO, the evolution of EDM from an underground weekend sound for gay, black men to the state that it is today owes much to “commercial” producers/DJ’s. For house, this was probably the KLF. For trance, it was the likes of Robert Miles (oops, please don’t hurt me), cultivated in later years by PVD and our boy, Tiesto. It’s formulaic, predictable, and catchy as all hell. And it’s the common denominator. Which brings attention to the scene. Which brings money to the scene. Which brings people to the scene. People who take interest in its other branches, become DJ’s, or producers, or support indy DJs and producers. There remains a true underground scene- flourishing with the facilities afforded by the internet and by the attention that the big name guys draw in. As someone alluded prior in this thread, Tiesto is the pot to our coke. The blush zinfandel to our port. Sweet? Yes. Ubiquitous? Yes. Mass appeal? Well, yes. So ignore the uncoolness of it. Ignore the unoriginality of it. Once you get past the hype, the self-promotion and poke fun at the narcissism, what you really have is a mediocre DJ who has virtually unlimited resources to share his mediocrity with the world. That’s his success- trance’s Nickelback. And through it he’s enabled hundreds of DJ’s that profess to starting off spinning the epic trance tunes and have turned into purveyors of pure hedonism on the streets. Next time you get a chance, ask Blu, Dekoze, or Addy (and yourself!) what the first track you ever spun was.
Just my two cents (and I am actually interested in checking out what everyone’s first beat was, but I don’t wanna threadjack) Sorry for the long post, I’ve been bottling it up for a while.
<<"relurk">>
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Jan-26-2006 00:42
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jon jon
viva la clubland

Registered: Jan 2001
Location: Footwork
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Jan-26-2006 02:54
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