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www.Trustthedj.com/grahamgold
Graham Gold:
Graham Gold - Autobiography
My musical roots lie deep and intricately with all things good! After all, I started my DJing career in 1969 (that's sixty-nine!), when the business was simply a glint in the industries eyes - not the monolith we now see before us. Back then it was a different game, but some things remain the same and are timeless - like me!
Throughout the Eighties years of glamour and (in)excess, I was resident at Gulliver's - London's premier soul club - and I was part of The Caister Soul Weekend, The Radio London Soul Night Out. Furthermore I presented the soul show on Capital Radio and I was on all the major pirates - except Kiss. I also wrote for Blues And Soul. I liked keeping busy and involved in all aspects of the music scene apart from the turntables.
In the 1990's I joined the Kiss FM team and was a regular on late night dance TV show BPM and Club Nation. I set up the Good:As label with Giles Sawney, my partner in crime to this day, and we established a management division looking after the UK diaries of Ferry Corsten and Armin Van Burren amongst others. Yeah, I was, and still am very busy…I have co-promoted Peach at the Camden Palace, where you can find me each and every weekend! I love Peach, the crowd down there are fucking nutters, and they're always up for hearing something new. At Peach we've had guests the caliber and as diverse as Judge Jules, Paul Oakenfold, DJ Tiesto, Ferry Corsten, Armin, Guy Ornadel, Chris Fortier, John "OO" Fleming, Tall Paul and Breeder. And of course, I still play all the country.
I've done more mix CD's than I've had hot dinners, selling over 700,000 copies, including solo mix CD's. I love doing mix collections which haven't been TV advertised as they are always pushing the music forward. Though that said, the Retrospective Of House I did was also great fun, they all reflect the happy vibe I've experienced around the globe. They're a good snapshot of a particular sound at a particular time.
I've played at most of the big festivals - Homelands, The Love Parade, the Essential Festival in Brighton and Glastonbury, Overseas, I have had the extraordinary pleasure of spinning around Sydney, Perth, Auckland, Wellington, Jo'Berg, Cape Town, Durban, Jerusalem, Tel-Aviv, Haifa, Toronto, Vancouver, Los Angeles, San Francisco, Kuala Lumpur, Tokyo, Shanghai, Singapore, Honk Kong, Dubai, Abu Dhabi, Bahrain, Finland, Denmark, Malta, Majorca, Ibiza, Cyprus, Crete, Rhodes and more all the while - in fact if there's good scuba-diving to be had within 100 miles of a great club chances are I'll have played there already!!
I don't just DJ, I also like producing music in the studio, and over the years I've had the pleasure of remixing for Carl Cox, Shawn Christopher, Alarma and 2HD. There's my own stuff as well, and my productions are set in my agenda as a priority for this year.
I guess my peers have kept me going over the years and of course the occasional accolade helps. I can't be that bad as I've been in the Top 100 Best DJ's In the World in DJ Magazine for five consecutive years! I am regularly featured/quoted in the UK dance paparatizi and I was even included in the special Gold Edition of Vogue Magazine, which was nice! Throughout this fairly whirlwind thirty years, I've learnt that something can indeed come from nothing, and all you bedroom bedlams out there keep on playing, creating and doing what you do because one day, it could be you!
People say that I am an effusive personality both in clubland and "on-air", and I guess it's all down to my genuine love of the music, along with a good work ethic. I know where I stand on the circuit and know when I can get somewhere. I communicate at all levels, and my address book bulges with the details of club promoters, DJs, record label bosses and the oh-so-necessary international all-night pizza delivery joints.
I love playing music, and I love my Vestax decks. Unfortunately, I've only ever played one club which has Vestax! I use them all the time, I use what I feel is right, anyone should. Don't always listen to others, review your own records, and decide what you're into! I love making the music I play. That's the biggest buzz. Any one out there who is trying to get into this game I would advise to stay true yourself and do what you believe in. I've given fairly unknown DJs the chance to perform at Peach, which remains London's longest running house night. Young up and comers need to be nurtured, but it's all about hard work and gritty determination. It doesn't happen overnight!!!!
I like to think that I've championed all the great genres of dance through the years including jazz-funk, rare groove, timeless soul, labels like Strictly and Nervous back in late '89/'90 and even hip-hop-we were all into that in the mid 80's, even Jules and Tall Paul!!! Plus of course, the harder trance sound that is now common on the UK's best dance floors. However, of late I've become a bit sick of just thrashing the arse off the records, and right now I'm more into more intelligent stuff. I'm a big fan of Bedrock, the label and the club, and if you look at my sets nowadays there are a lot more peaks and troughs than there used to be. And breaks always feature I my sets. But of course, every club is different and I play according to the time slot-but I still play good quality trance too. Now, I broadcast every Monday on Kiss 100 London between 8 and 10pm. The show is completely non-playlist, and I showcase a really upfront selection of quality prog, breaks and trance. Carl Cox has described it as "inspirational" and Oakenfold as "excellent" - top respect to the boys at the top! I believe it's also the most listened to house show on Kiss. Which is nice.
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